Thank You VSL for that great Player,
This is exactly the way how to handle such vast varieties of Samples only VSL is able to provide (Please do not hesitate to bring the dimension-Libraries in Synchron-Playerfomat too)).
And meanwhile I fear for my use (realisation of historic Scores) there will be not that much occasions to apply exactly this nice musical sandbox of orchestral Sound-Ideas (good Filmmusicians should have much more reason) but it is exactly the right toy to make a first joyful acquaintance with your great new Player. and its principles.
Meanwhile the articulation-dimensions seem to me alread pretty intuitive to use (as I always said for long years it would be)
(I think I should spend some time to play around with "pizzicato-effects" in the different Microphoepositions and their mixes)
There is still one question open:
The first Synchron VE-Templates are conceived for VI. Will you provide VE-Projects with Synchron-Player.?
What I liked in those clumsy VI-VE-Templates was the ability to group Microphone-Positions. While the Synchronplayer is great to controle all positions for a section/Track individually, It would still be great to tweak microphonepositions globally too.
Will the Synchronplayer be able to allow VE to controle Microphonepositions globally, in a way that avoid as large clumsy templates as we had for Synchron in VI.
Each Channel in the Synchron-Player Mix-tab (as in the Synchron-Pianos Mix-tab) could be lead to 9 different stereo-outputs:
Would it be able to connect each of those different stereo-outputs to another VE-Bus to get the Microphone-positions globally mixable? (I am currently somehow to stupid to figure out how that coud be done.)
btw:
VE has a Vienna Instruments-Menu with for instance the option to enable and disable all cells. Why is there no compareable Menu fo the Synchronplayer, if this will be the platform for ( at least nearly) all new VSL Libraries to come?