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Inside the Permafrost
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I was looking for a more, sort of celestial sound, and so I EQed it cutting some of the mids and increasing the highs, however, I might of over done it and cut off at the same time some of the synchron violins meat, so I don't know if my mix was the best choice here, however, you can appreciate the flexibilty in that regard.
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That was not the nature of my question, Guy. But I can understand your point of view (permafrost, frozen, ice...): you would have wanted some more iciness (highs) to accentuate that feel. But to my ears there's no problem with that.
Actually what I meant was the the reverb itself: is that the natural Synchron Strings reverb, or did you add something extra? I'm not (yet) familiar with the strings, only with the Synchron Stages for MIR.Jos
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P Paul moved this topic from Orchestration & Composition on
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