Thanks for your friendly words!

The bug in the development software tool is fixed already. It went unnoticed for long, long time because the results I achieved _seemed_ to be completely plausible, but actually I was aiming at a moving target ... *sigh* ...

The main obstacle right now is that I have to schedule another three to four weeks in a row to re-do parts of the 400+ presets that make for a complete MIRx-Venue. 8-/ I'm booked to mix several productions until autumn, but I hope that I'll be able to squeeze in the necessary time slot during summer nonetheless.

... I'll keep you posted!

Kind regards,

@Dietz said:

Thanks for your friendly words!

The bug in the development software tool is fixed already. It went unnoticed for long, long time because the results I achieved _seemed_ to be completely plausible, but actually I was aiming at a moving target ... *sigh* ...

The main obstacle right now is that I have to schedule another three to four weeks in a row to re-do parts of the 400+ presets that make for a complete MIRx-Venue. 8-/ I'm booked to mix several productions until autumn, but I hope that I'll be able to squeeze in the necessary time slot during summer nonetheless.

... I'll keep you posted!

Kind regards,

Hi Dietz,

thank you for your honest report, and for your commitment. No need to say that we can't wait for your professional presets, usually sounding better than mine... 😊 and so speeding up the workflow a lot.

Looking forward to them, hopefully soon... all the best

Fabio

Dietz,

Will the Synchron Stage MIRx be set up to work in conjunction with the Synchron Series Orchestra series for those of us who want to blend the libraries?

Hi Stephen,

actually I plan to do two very different setups: A first version will adhere to the tried-and-tested seating of all other MIRx setups for full compatibility, followed by a second one which leans towards the ideas of the Synchron Stage recording-team. The latter should make blending easy, but don't expect a 1:1 "carbon copy" of the Synchron Series: Due to the completely different microphone techniques used for the two products I will have to find out the "sweet spots" of MIR's Synchron Stage Venue from close to scratch.

Kind regards,

Right, totally.

Which one comes first?  Or will they be released at the same time?

The "classical" MIRx version was almost done when the aforementioned bug raised its ugly head, and that's the one I'll re-do ASAP. But I have no idea yet whether it will be released immediately, or if there will be a "synchronized" release (pun intended ;-) ...) of both versions.

Kind regards,

This is all good info! I'm keeping a close eye on this one :)

Consider me in if anything needs to be tested before or around release time. I'd be one of the first ones to load this puppy in when the time comes.

Thank you, Dietz!

Looking forward to more MIRx presets to use in MirPro.  Also, I'm a newbie to both orchestral audio engineering as well as VSL in general.  MirPro is incredibly powerful and I'm looking forward to the day that I'm a master of it, but in the meantime, some more helpful guides about where and how to position players on each stage would be extremely helpful.  Right now its setup kind of like, here's a big room and some mics, go do it.  IF you have never recorded with an orchestra or worked in that audio engineering space, then I'm just making guesses about where the place players, which mics to use, etc.  I realize some of the character presets at least cover some of those aspects, but it would be supremely useful if there was some hints provided for standard stage positions, and mics to use for a cohesive sound, as if an experienced engineer was looking over my shoulder and telling me which presets to use from which stage positions.

@Another User said:

• Finally, there are a few "ready-mades" for different purposes, from different sourcs. Here you'll indeed find complete templates which are of course highly dependent on the needs and taste of their originators, like Herb's Teldex Presets, or the Synchron Stage settings I did for the recent "Scoring Bundle"-offer. - You find all of them in the "Tutorials/Templates"-section of your "Venue Presets" for all halls available for MIR Pro on this site.

I will check those out.  I already had Herb's Teldex...which is a VEP frame, as descrribed above.  I will check out the other score template you made to see what I can pull out of it.

one feature suggestion, I would love to be able to have a MIRPRO based file (Not a VEP frame), which basically has all the information for a single instrument, including not only the EQ and local mic settings, but also stage placement.  Then be able to load that into the mir pro plugin that is on any given track of a DAW or VEP in order to place that particular instrument in the same spot and orientation on a given stage.  I don't know maybe this won't matter to me once I have some VEP templates that work with groups of instruments.

I will also say, the amount of customization possible in terms of mic arrangement is astounding and impressive, but as a composer, its way over my engineering pay grade....so any and all future venue presets that can be provided to optimize a given venue will always be appreciated, and to a certain degree that also includes how to arrange players on the stage...this is all audio engineering stuff...  endless possibilities, but for a composer like me...that is also endless confusion.  I wouldn't have the foggiest idea what to do with the output editor in terms of changing mic patterns, or mics or orientation of mics, distance of mics, etc..  Looks amazing for folks that understand that kind of stuff better.  So anyway, just a humble request for as many presets as possible so that basically never would need to dig that deep at that kind of stuff, yet still have the ability to obtain a variety of different sound.

@Dewdman42 said:

one feature suggestion, I would love to be able to have a MIRPRO based file (Not a VEP frame), which basically has all the information for a single instrument, including not only the EQ and local mic settings, but also stage placement.  Then be able to load that into the mir pro plugin that is on any given track of a DAW or VEP in order to place that particular instrument in the same spot and orientation on a given stage.  [...]

There are actually two ways to achive this already:

- In VE Pro, you can save so-called "Channel Sets" of as many channels you have selected (right-click in the Mixer or the Channels list). Recalling Channel Sets will instantiate new channels with all the plug-ins and settings they had when you saved them (including MIR Pro, but everything else, too).

- In MIR Pro you can save the settings of any selected Icon (right-click on the Icon). To recall them, you will have to have an Icon already instantiated on the stage of a MIR Pro Venue. No other plug-ins or routing-specific information will be saved in this case (which might be favourable under certain circumstances).

HTH,