Hi Muziksculp - thanks so much for the compliment! (Yes, that is me.)Almost all the time I use live strings, but sometimes the samples I write with end up in the final score, depending on the cue. I’ve used VSL libraries since day one, and still use many of their instruments over newer stuff from other libraries.I really like the sound of the Synchron soft legato presets, and would be thrilled if the legato transitions were a little slower, and maybe a little more prominent, somewhere in-between slur and regular. As is, it’s a little on the clinical side for some pieces, but I’ve already used SS on a number of mockups, and in the right cue, they can sound great. In addition to using Blur, what I’m doing in the meantime to create the illusion of a slower legato transition is setting up a multi with two layers, Leg-Soft-LyV (X) Leg-slur-LyV, with a Slot Crossfade between them, and somewhere in the middle setting the perception is of a slower crossfade. Not ideal, but it’s a workaround for me. I could also slow the transitions down using the Stretch function, but would rather not do that as it creates other issues. Looking forward to using the Sychron Player.
Hello Gary,
Thank You Very Much for the helpful feedback, and tips.
I'm delighted to see you on this forum, and look forward to enjoy more of your soundtrack works.
Your score for 'Last Days In Vietnam' is one of my favorites. I also like the O.J Made In America score, currently listening to your latest work 'The News Paper Man : The Life and Times of Ben Bradlee' a wonderful, and interesting score as well. You have very good taste.
Going back to VSL, I really wish they improve the Legato system for Synchron Strings via their Synchron Player, we will know when they release it in May.
Again, it is a pleasure and honor hearing from you on this forum.
All The Best,
Muziksculp