@Eptesicus said:
Something funky going on in the cello's G3 (and therefore F# as these are clearly only sampled per tone) at high velocity on the longs. Sounds like a dogyd or loud re-bow?
Yeah, I heard that too and my first though was bad loop, but it may as well be noisy re-bow... Doesn't sound fun though. In general those low cellos seem to be noisy
... and it means I bought them. Actually I was unconvinced until Paul cello video. And I'm not going to lie - for now I only like them. Why no love?
CONS: holy f**k, 60 gigs per section!? I expected big library, but this is waaay too big. I think that reasonable thing to do would be per mic download, so that I could download only down-mixed samples for example. Or maybe option 16 vs 24 bit (I assume that it is the latter now).
The second thing - I don't hear that biggnes. I mean, I'm not sure why it is so huge. Yes, I know, lots of layers, mics etc. but still it seems to be a bit too big. What is hidden there? Synchron player is going to show us those treasures? Or it's big, because? Violins short, 9 layers, 49 sampled notes, 10 variations = 4400 samples. VI states 5832. Releases? Ok, I'm done with that hate, time for good π
PROS: With SSD and default preload at 1536 RAM is not a problem at all (one mic less than 500megs?). The playability is magic. You can clearly feel those 8 - 9 layers. Fluent change without crossfades - YES!
Lyrical vibrato = β€οΈ.
Harsh shorts π©οΈ
Overall sound signature - wet, but clean and detailed, can be lush, can be harsh
And now I'm waiting for the rest of sections and synchron player. Although my SSD is crying, I hear him sobbing...