βSynthβ was the wrong word to use of course, Iβm sorry. What I meant was synthetic, and itβs not so much about the sound per se but the expression, to hear even if it's a large ensemble, that there are different musicians playing different violins etc, and to feel more that the bow is touching the string, and is moving. Just to be clear, I think no one is as close to realism than VSLβs Strings" - Mcarnes
I am glad you said that.
Btw - what you are describing "bow is touching to string and is moving" - that is DIMENSION STRINGS already. This is the most sensitive and intimate string library. It is not only bow touching strings, but each player's individual bow touching strings. And each player is compeltely different, and yet they play perfectly together. This is the kind of musical technological achievement of VSL with the Dimension Strings which is unmatched by anything else - let alone their other great sounding strings. But this is not to take away from Synchron strings which will probably be the best ensemble string library of all.