Thank you Anand! That means a lot to me... Haydn happens to be my favorite!
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Hi Wayne,
Needless to say that this is again a brilliant example of your mastery of the classical composition style. This time you've added a superb trumpet technique (with the SE library!) with such accurate and well performed staccatos, sweet legatos and harsh power trumpet. A real display of the possibilities of the trumpet, all in one concerto movement. Glad you've found the courage and the power to write such a marvellous piece. We're waiting impatiently for the rest of the concerto.
Congrats and all the best!
Max
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This movement finishes the Trumpet Concerto in C Major:
Sometimes I think the slow movement is the hardest to write. It requires so much expresion and since the tempo is slow everything is exposed. But I do love to write these... Thanks for listening.
Here is the completed work... Trumpet Concerto in C Major.
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Wayne that is excellent. In the final movement I like how the middle minor section contrasts and then suddenly moves back to the major recapitulation. This piece would really be of interest to trumpet players. They need to find out about it! That is the problem (as I know all too well with my own pieces...) Anyway that is a great piece!
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Thanks so much William! And yes, it's near impossible to get our works played....you really have to know someone who can help you out. I've been lucky to have my wife's group perform my wind dectet and my high school's theater company (I taught AP Physics in high school) perform 3 of our musicals (we sold out 24 performances!). Those are memories I will always treasure. The rest of the music....well.....it's there just for the enjoyment of writing it.
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Hi Wayne,
I've listened to all the parts again and indeed, they make a perfect whole. A fantastic job, a warm tribute to the trumpet! Let's hope (with you, William and so many others here) that one day somebody will have the courage (and the money, power...) to program some of your marvellous works for a concert. Such lovely music is a guarantee on itself to fill concert halls. I've nothing against modernism, but it frightens off so many music lovers because of its (pseudo) intellectualism, its cerebral approach, its tonal arbitrariness and (abusive) use of instruments for the sake of the originality and experiment. People simple don't understand it. Shouldn't a concert provide a pleasant evening, making people happy? Well that's exactly what you've been doing so many times!
Jos (Max)
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