Vienna Symphonic Library Forum
Forum Statistics

194,704 users have contributed to 42,932 threads and 258,000 posts.

In the past 24 hours, we have 8 new thread(s), 20 new post(s) and 104 new user(s).

  • Signal flow of MIRx and effects in VE

    If I run some effects on an instrument channel in VE, and I'm also running MIRx on the instrument; is MIRx applied pre or post channel effects?

    Thanks,

    Michael


  • Within Vienna Instruments (Pro), MIRx is applied after the built-in EQs (both the variable instrument EQ and MIRx own PreEQ, a.k.a. Character EQ). Therefore, every plug-in you use after VI will affect the instrument and the spatial information / reverb it derived from MIRx.

    HTH,


    /Dietz - Vienna Symphonic Library
  • PS: Just to avoid confusion: MIR Pro will of course allow for having pre- and post-MIR processing.


    /Dietz - Vienna Symphonic Library
  • last edited
    last edited

    @Dietz said:

    Therefore, every plug-in you use after VI will affect the instrument and the spatial information / reverb it derived from MIRx.

    Ah OK, that's a bit disapointing as I usually run the VS eq on most instruments, and VS compressor on a few that I want to "stand out" in the mix. I'm assuming that you did it this way because it was easier to code and/or to prevent it from being used on other competitor's products, which I totaly understand.

    It's good to know that the pro versions of MIR can be either pre or post effects. And, just to be clear I'm not complaining, I think MIRx is the greatest bang for the buck when it comes to effects that I've ever purchased! It's really amazing.

    Question for you, is the CPU usage of MIRx similiar to the CPU usage of MIR pro?

    Thanks!

    Michael


  • last edited
    last edited

    @Another User said:

    I usually run the VS eq on most instruments, and VS compressor on a few that I want to "stand out" in the mix

    The routing of the EQ before or after MIR wouldn't make much difference (remember that we're talking about linear convolution here), but I understand your concerns regarding the compressor. As a workaround, you could reduce the wetness of your instruments before compressing them. That's not the same as compressing their signals _before_ they appear in the virtual room, but it at least this diminishes the problem of the reverb tails getting excessively loud.

    HTH,


    /Dietz - Vienna Symphonic Library