Vienna Symphonic Library Forum
Forum Statistics

199,026 users have contributed to 43,150 threads and 258,877 posts.

In the past 24 hours, we have 6 new thread(s), 13 new post(s) and 57 new user(s).

  • Chaotic orchestrations

    Hello everyone. I'm trying to find classical examples of some huge "chaos-like" orchestrations, maybe from the romantic era to present day. Does anyone have any suggestions in which classical works could I find these chaotic timbres?


  • last edited
    last edited

    Hi Sami,

    you find much some exemples of descriptive music in the baroque repertoire. For example :

    J.F.REBEL : Suite "Les elemens". N° 1 the chaos

    J.P RAMEAU : Anacreon - Tempest;

    J.P.RAMEAU : Les Boréades - suite des vents

    M.MARAIS : Alcione - Tempête

    Best

    Philippe


  • last edited
    last edited

    @Sami Boman said:

    Hello everyone. I'm trying to find classical examples of some huge "chaos-like" orchestrations, maybe from the romantic era to present day. Does anyone have any suggestions in which classical works could I find these chaotic timbres?

    Define chaotic.


  • Thank you Philippe and Icecubeman for your answers.

    Peter Alexander: a fair question. I tried to do this in my original post but it came such a gibberish I erased it. I try again. Perhaps a controlled chaos would be a better description of what I'm trying to find. A big soung of a full scale large orchestra. Like a tidal wave of sound sweeping over the listener. I'm sorry it's really hard to describe.


  • I think you mean a 'random cluster' effect from the 60's, 70's. (Boulez? Penderecki?) You hear it in horror films all the time (Rosemary's Baby, The Shining I think?) I recall it notated with just cross hatches. Basically, you're telling each player to play semi-randomly... 'fast within a certain range of pitches'. When 20 fiddles do it at the same time cresc. decresc. it creates a 'scary insects' effect that's used a lot to build tension... or to show someone who's about to go nuts. I'm sure VSL could do this very well.

    ---JC


  • PaulP Paul moved this topic from Orchestration & Composition on