I did a Dimension strings demo of Bernard Herrmann's "Theme d'amour" from Vertigo - my favorite of all film scores! - as my first mix using them. It is scored for a very large orchestra, though you mainly hear the violins with a lot of divisi, so it seemed appropriate to mix the Dimension violins with Appassionata.
Doing a piece like this is a great way to study the score, and I noticed very strongly the mastery of orchestration Herrmann had, as well as the complex harmony. People might think this is Romantic, like the Wagner Liebestod, but I think it is a deliberately ironic Romanticism, just like the film. It is interesting in this score also how he used triple woodwinds - 3 flutes, 3 clarinets, 2 oboes and English horn, 2 bassoons and contrabassoon, but augmented them with 2 bass clarinets - his woodwind sections are always very richly scored. ALso, full brass though it only appears in the end. His horn parts are very divided for all four horns so the Dimension brass were good for that also.
By the way, this score is only in manuscript and Herrmann's handwriting is almost as bad as Beethoven's!