I have been demoing the old (small) Bosendorfer (thanks Paul!) My budget can't handle the new Imperial.
I asked for a demo because the sampled pianos I have, which sound -fine- for pop/rock/jazz just didn't sound -big- enough to match with orchestral writing.
So far, I'm thinking of that old phrase, 'Be careful what you wish for.' Contrary to another thread here, I was -instantly-surprised by the -huge- bass of this piano. Not having -played- a real Bosendorfer in perhaps 20 years I don't know how representative it is, but I'm having trouble getting this thing to blend because now there's too -much- bass. I'm wondering if others have noticed this.
IOW: The Bosendorfer (again -small-) sounds great soloed. The top is a little less 'full' ... perhaps more 'bell like' than a Steinway (I always think of the octave above middle C on a Steinway as being like orchestral chimes--the best) But the overall clarity is just great. I'm not a great pianist, but you can -really- hear all the individual voices even in some dense Chopin.
But then when I try to match it to Chamber Strings, it kind of overwhelms them (close mics) or gets lost (distant mics) Maybe I need to re-record the performances, but before the demo times out I was wondering if this is just -me-... perhaps there are some tips on blending. Or maybe it's just more of a solo-oriented lib?
TIA,
---JC