Hi David,

depending on your audio system (which you didn't mention), a good setting to start with should be 1024 samples for the audio driver and 0 samples for MIR Pro. For really big arrangements, it might be necassary to change the latter to twice the length of the system's latency. For smaller arrangements (i.e. less MIR Icons on a Venue's stage) it might be possible to use lower values.

In VE Pro's Preferences, assign as many threads to its engine as possible. The best setting depends a lot on the actual context: As long as you do most of your mixing and processing in VE Pro, this number can be high. You will have to reduce it when you plan for more processing in Logic.

HTH,

PS: BTW - are you using VE Pro in server- or in stand-alone-mode? In stand-alone-mode you would have to have an audio card with multi-client compatible drivers, otherwise there will be conflicting accesses from Logic and VE Pro.

hi Dietz and thanks.

I'm using it in server mode.
It's totally new to me, so I'm just using the trial version of MIR currently.

I'll try a 1024 setting on my MOTU 828 mkII (I've also got access to an Apogee Ensemble in a couple of weeks, to go with my new Neve Master Buss [:D], but for now it's a MOTO USB 828 mk II.

I've just been hired to write an album for a production library that is to be recorded at Abbey Road, and performed by the Royal Philharmonic. In addition to needing to use samples to bulk out the sound, we need to think in advance of the right way to mix this album. There will be huge amounts of audio as well as MIDI (orchestral and electronica) and it'll largely be stemmed I guess.

If I'm going to have a full change and use VE Pro to mix, I'll need to understand it's automation within logic and really get to grips with it's workflow. At the moment it looks like such a great idea to me, but I don't quite get the workflow totally. 

Where should I start my learning? I've watched a couple of the videos, but as always, they look cool, but it's not a step by step guide for idiots - which is what I need.

I'll try the 1024 & 0 settings and report back!

Thanks again.

David

For the moment I have more succes using IAC v.s. Event input or the Multiport Layer for Logic, but I have more instruments tracks (97) than audio tracks (3)

I am at 1024 in Logic and 0 buffer in Mir and I have set to as many threads availlable

You have also be carrefull not to connect any midi tracks to the AU that receive the sound from VE PRO

Dietz, do you have any idea on how many audio tracks you can send to a slave ? i.e. what is the 1000 base T Ethernet bottle neck ?

Best

Cyril

Thanks for this.

For a VE Pro + MIR new user, what's the point of the multiport Layer for Logic? What's it's purpose?

Also, how do you work volume autmation etc within the logic setup?

1. To get round the AU limitation of 16 MIDI channels per VEP instance.
2. Convert CC7 to CC11 (or something) in the Environment, I would imagine.

DG

Right..

And the Cc7 to 11 transformation is to allow volume/expression automation within VE pro?

 It's to get round the Logic "feature" where in a multi timbral instrument CC7 affects all instruments, rather than just the one to which it is applied.

DG

Thanks.

I've imported that layer and I'm carefully reading the manual.

I've inserted I'O plugins bypassed everywhere. I need to figure out however, given that I'm using a fair proportion of Real Audio as well as virtual instruments, how do I automate the audio input stuff?

According to the manual, you can't use the ordinary automation methods for the audio input plugins.
I can't see where, however it tells you to approach this. Can you shed any light?

David 

sorry. I had this working and found the wrong image to tell the story, and ran out of time. I will return.