Hello VSL ,
first of congratulations to VEP5 and MIR PRO .
I'm not a MIR PRO owner yet, but of course MIR PRO has all my attention and I will definetely get it ,
when my schedule allows to add it into my setup.
(.... Although I've already purchased the VEPRO5 upgrade I haven't installed it , because currently I cannot change a running horse,
therefore I can't check out the MIRPRO Demo ... ) ,
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Beforehand I have a question , which I hope you'll find the time to answer :
So basically I'd like to know if it is possible
to route an Audio-Signal from a Bus-Channel of the sequencer (Logic / Pro-Tools /etc.) into MIRPRO via VEPRO5 ?
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Let's assume that I have a sequenced session which is nearly dry , maybe some ambience is audible
in this Mix of samples ( VI ) & Live Instruments (Audio Tracks) .
However, I now don't want to go the route to position every single instrument or instrument section (... be it a VI or an AudioTrack ... )
on the MIR Stage , but rather have this complete (dry) Sub-Mix routed to a Bus Channel within Logic (or ProTools , etc. ...)
a)
- Is it possible to send this Signal on that Logic Bus-Channel to MIR PRO via VEPRO5 to postion this Stereo Sub-Mix Signal on the MIR stage
to give it a certain depth ? ( I'm rather interested in the more intimate venues of the ORF Studio2 for example.)
- Could there occur a latency issue when I decide to additionally postition some solo instruments in a rather dry MIRPRO venue (ORF2),
and then route their outputs to this Overall Sub-Mix Bus in Logic , which then again should go back to the MIRPRO stage
to give this (dryer ) Sub-Mix a certain depth.
b)
For the case thie above mentioned is possible with Stereo Signals :
would the same procedure work with a Surround Sub-Mix ?
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Or do I have to bounce an Audiofile of that Sub-Mix, and then send that Audiotrack signal into MIRPRO ... ?
( This might be all silly questions , but I hope you guys don't mind to enlighten me ... )
Best wishes
Gerd