@passenger57 said:
I would never travel with an elisencor - Would be way too nervous about that.
I just use Native Instruments / Kontakt libraries for out of town work since they just activate online without dongles. I wish everyone did it that way.
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It's funny you say that, because I handle it exactly the opposite way since decades now. I always tried to aviod software that had to be "activated" for a reason: For example, I never really used my pretty elaborated NI Reaktor-ensembles back then when I was working on another system than my own (which I do about 80% of my time, being a freelancer). As a matter of fact I almost quit using it at all. Similar situation with the highly underrated "Quantum FX " from db-audioware. OTOH I was very happy when Celemony changed from their original system-hardware based licensing scheme to iLok.
I have a little "dongle-case" since many years which I literally carried around the world, from Japan to California. Right now, it contains three eLicensers (one is left at home all the time), two iLoks, one legacy WiBu key and a new one ("CodeMeter"). All in all I would estimate that they cover software amounting to roughly 30,000 Euro. The only time I had troubles was when I literally broke an iLok, but this wasn't a result of carrying it with me.
... horses for courses ... 😉