@patrik said:
[...] And on the other hand, I really like the sound of the new hybrid reverb... but in terms of the upcoming MIR pro, (of cause just from speculating what this would mean and from experimenting with the hybrid reverb plugin during the last few weeks) it wouldn't be a feature that I am personally too much excited about (all the other features you just wrote about seem much more important to me personally...) Mainly because I love the basic idea of the MIR concept of creating a realistic (virtual) image of a room/venue rather than creating a reverb per se. Modifying this image afterwards with a extra plugin would be a different step in the processing and therefore seems much more natural to me; as if you take a live-recording and process this using all sorts of plugins. But doing so within the creation of the "live recording" per se...? I don't know... but anyway, I am sure, the actual implementation you guys come up with will be an exciting and logically completely convincing additional feature.... [...]
As I said before: We are still trying to figure out a meaningful way to do this.
In principle, I share your opinion about realism. But then, even in the "Real World", orchestral recordings get sweetened with algorithmic reverb all the time. Our idea was to achieve this with the same intuitive approach as with "pure" MIR processing. A pretty intriguing concept - but its realisation is more complex (and demanding in regards of CPU cycles!) than one might think.
Let's see what we can come up with. Maybe this feature won't make it into the first incarnation of MIR Pro.
/Dietz - Vienna Symphonic Library