[:(] Why am I dragged back into this?... Wasn't my graceless exit good enough for everyone?
Tanuj,
Indeed you need to go to university or do the equivalent self-study at home in order to appreciate quite a few kinds of music, one of the reasons being that you are not constantly bombarded with examples of them by radio/TV/Internet in order to familiarize yourself with them, get to feel their structure and sensibility repeatedly, be able to discern the better works from the rest, etc.
Saying that "good music speaks universally" presupposes all things being equal. They are not. Due to the propaganda tools (media), political agenda, the facile nature of pop/folk music, and the increasingly uncultivated public due to continually decreasing education standards (for everyone needs to graduate...), many more people have their car-radios switched to Gaga stations, rather than Mozart ones; it would seem that good music actually speaks very specifically...
However, with what exactly do you disagree from my last post? I decided to throw the towel in the ring of this discussion simply because we were using different terms for different things and there was no common ground for me at least to go on. For example, what you and others refer to as 'electronic music' is the bottom of the barrel stuff! People mentioned like Reznor, the guy that digitized the Bond gun-barrel opening, and Faltermeyer, they are to 'electronic music' what Hans Zimmer is to Bach and Wagner in 'instrumental music'; i.e. those others above, like 'Z', are not original at all, they just use the most basic precepts of serious 'electronic music' that happens elsewhere, and only appear original and talented to people who are not familiar with the strata above them. If the names of Chowning, Cope, Risset and so many others mean nothing to you, then I am sorry, we cannot have a discussion because you haven't been to university, or nevertheless, because you don't have the necessary background. And that's just one example of why discussion is fruitless unless we all share a similar amount of information on a subject.
You say "we have departed from the era of Herrmann" (I would say Debussy, Ravel, Bartok, Prokofiev, Rachmaninov, Stravinsky). You add "that's just a reality that exists" and that whenever you come to this forum you see negative comments etc. Why should I not consistently try to avert further descent into awfulness by screaming out charlatans of the industry? Why sit passively back and accept deterioration? If your body deteriorated through disease that came with age, wouldn't you go to the doctor to halt an otherwise natural progress? The fact that we have chronologically moved forward doesn't necessarily mean we have progressed in all areas...
And don't forget, this thread had nothing to do with everybody's freedom to like whatever they choose according to their taste, or non-exposure to more sophisticated material (like you suggested). the thread had to do however with the supposedly highest award for film-music in the western world. Those people's criteria are supposed to be more discerning than the common folk's.