Following scene is from an georgian film (the country, not the state):
hero looks in his coffe cup, camera shows him with his cup cup andhis spoon spoon 2 min. cut)
New screen in perspective of the hero:
coffe cup (the camera shows the cup from above, spoon is turning the coffe and the black coffee turns around, 2 min. cut)
New screen:
hero, still with his coffe looks in his coffe ( 2 min. cut)
This was a film where I remember this sceen and lots others, but not the title.By the way it was fom the 90th, no music, hero didn't talk or think anything, he had only a sad boring life - no reason before or after.Maybe it makes sense in a kind of a common dilemma. However, the camera was not great.
I red the comment about the powel core.I have to admit that I like his colors.Even in contemporary music we try to compllicate a structure, that color and linear structure become one.Why not (in a more easy way) in the film?
In the end the film is served by music, thats why even programming for music, that stays by itself is much more complicated, it has no visual support and must talk by itself.
Filmmusic must simply work with the film.And bad character - bad character music.Why not ?The question is, how ( some bubblesonds in deep brass or 15 cotrabassons is a little too easy, except you want to do 30 min per day.But therefore buy symphobia and glue the mini compositions together.
Cluster is not cluster.E.g. the microlinear structure in Athmosphere of Ligeti (the famous 2000 orchestra piece) mixes the three worlds, linear and harmonic and orchestration, so virtuos together, that the impression is undivideable.Linear music becomes Orchestration.Orchestration becomes harmonic.And full 12 to 24 harmonic only like a layer, so far the harmonic, that resulted from vertical structureforms Instruments. Phantastic !!
Or the score of magnolia.No cuts in the music but still a kind of synchron.The "dull" ostinato becomes an impression instead of a pattern.No specials for e.g. the histeric scream scene in the pharmcie, and I really didn't get at the start that the talkmaster show in the TV ( I mean that quizz) uses exactly the material that tortures you the whole film, and well chosen, I became more open to the story, because the cuts are easier to follow by the comon music, that only goes its own way.
Total other extrem is starwars with the Leitmotiv for evryone.Also great!
It's like Max Bruch.Who cares the d minor concerto for violin is boring if there is the g minor ?