You did it.
This has helped me in my normal routine of thinking about writing for very weird ensembles - currently an orchestra consisting of contrabass clarinet, contrabassoon, bass flute, string bass and a viola. With some percussion and harp.
Doesn't it seem that one of the areas that modern composers have forgotten in their quest for new sounds is simply orchestration of this kind? Using instruments and combinations that are not written for normally. It is obvious why - because they can't get it played! But with samples we can do huge amounts of experimentation with strange combinations. Somewhat like Bernard herrmann being given free reign to use any ensemble he wanted. I remember for example an entire score he did for Alred Hitchcock Hour which was for bassoon ensemble alone. No other instruments. And it was perfect.
Anyway that is a great piece and congratulations on all your fine work here.