I have had similar problems, but found that once I make sure that the correct channels are set in Vienna Ensemble, then the set-up works a lot better. Though not without errors. One score produced mixed behaviour so I have sent it to Sibelius Help for analysis. This was a score originally finished in version 3 but opened up in Sib 5.2.
A new score I am working on has had a couple of problems. 1. Even though I had saved the VE project as a String Quartet project, on re-opening I had to reset the channels, because some instruments were sharing channels, causing dropouts etc. and 2. I added a tie and a slur to a note, and now on playback I get a portamento up tho that note from the previous note. Nice though it is, I hadn't put one in. When I then tried to put one in I end up with no portamento.
Any suggestions.
Phil Walton
-
Hello Phil!
There is a playback bug in Sibelius, which sometimes occurs when the same instrument is used more than once. Normally, it helps to create the problematic instrument once again, cut the content of the old instrument and paste it into the new one.
If this doesn't help, try the following thing: Go to the Sibelius mixer and reassign the sound ID (third line in the mixer) of the instrument, that doesn't switch correctly. If you use the same sound ID more than once, be careful to assign it in the right order. For example the first line with "strings.violin" for the first violin and the second line with "strings.violin" for the second violin.
Best,
Andi
Vienna Symphonic Library -
Hello j!
I think some setting must be wrong then. Slurs just add the Sound ID +legato and thus will trigger the legato patch. So if you want to hear legato phrases, excluding slurs from playback isn't exactly what you'd want to do.
Please can you tell me which instruments don't work as they should, which Sibelius instrument you chose for them, which program you have set on the manual sound set page and which channel and sound ID appear in the Sibelius mixer for them.
If you haven't done so, please make sure that with instruments you use more than once, you will also have to reserve more than one channel on the Manual Sound Set page.Best,
Andi
Vienna Symphonic Library -
Hey, Andi I set 5 channels in the manual soundset tab in sibelius: strings.violin.ensmble strings.violin.ensemble strings.viola.ensemble strings.violincello.ensemble strings.contrabass.ensemble I then loaded 5 channels into the vienna software, orchestral violins in 1 and 2, orchestral violas in 3, etc. Back in Sib, I added violin I, violin II, viola, violincello and contrabass to my score. Under 'edit instruments' I went to 'best sound' and picked the corresponding sound ID from the VIenna menu. In the Sib mixer, I set each string staff to the corresponding channel. What I found is that when I had slurs in different staves notes would cut short. Sometimes the first violins wouldn't play at all. Any thoughts?
-
That sounds correct, but please don't touch the channel setting in the Sibelius mixer. This often makes a mess. Sibelius should choose the right channels automatically. If you have to correct something, please use the third line in the mixer as written above. It is not necessary to edit the instrument. The best sound you have picked should have already been there.
Which Sibelius version are you using. Sibelius 5.2. had some playback problems, which have been fixed with Sibelius 5.2.5.
Best,
Andi
Vienna Symphonic Library -
Having similar issues. My strings won't switch back from legato to sustain in some situations. As I understand it, the sustained sound in the DEFAULT, so shouldn't anything that is written without a slur, staccato, pizz etc... be Sustained. I have Sibelius 6. Anyway suggestions? -Peter Scartabello
-
Hello Peter!
Did you try what I recommended in my first two replies to this thread and what is written in the "Optimizing Sibelius playback" manual?
There should be a solution for your problems.Oceanview, an empty instance of Vienna Ensemble takes about 20 MB RAM.
Best,
Andi
Vienna Symphonic Library -
@pscart said:
I think I figured out why the violins weren't going back to Sostenuto. I was using Violins I and II instead of Violins 1 and 2 in the Sibelius setup. This seems to have fixed it. Now they go from Legato to Sus with no problems. -PeterPeter, can you explain why this is? What is the difference between Violins I and 1?
(This is rather frustrating - how is the user supposed to know that this difference in stave will be significant?)
-
Oceanview, I wish I could explain it, but that's just how it is. I saw it in a previous post by Andi and it seemed to have fixed the problem. I have encountered a problem regarding dynamics now. Andi, When I instantiate a hairpin crescendo from say piano to forte, the slider on the vienna ensemble control, whether it is a volume or velocity crossfade, does not move smoothy from one dynamic to the next but rather moves almost not at all, then jumps quickly to forte, thus sounding very abrupt and jarring. Any ideas why this may bei? Thank you in advance. Is there a remedy for this behavior, perhaps a way of smoothing out the dynamics? I am not happy with the crescendos and decrescendos. Also, if I do something like a crescendo underneath 8 eighth notes the slider jumps and resets and behaves quite strangely. All and all the effects here are not very musical. -Peter Scartabello
-
Hello Peter!
For dynamic changes Sibelius sends CC11 (MIDI Control Change 11) values. By default these values trigger the Vienna Instruments expression slider. During sustained notes with dynamic changes, the volume should change a bit, but the timbre will not. In order to get more realistic crescendi and diminuendi you can do the following: Go to the Vienna Instruments Perform page. Activate Velocity X-Fade. Then click on Map Control. Now set the source for Expression to none. Then go to Velocity crossfader and select ControlChange/Controller 11 as source. This way, you also reduce the overall dynamic range of an instrument. Don't forget to save your playback configuration in Sibelius after that.
(This will not work for drums, percussion and cymbals, because CC11 is not implemented for these instruments in the Sound Set. Lots of the percussion sounds don't blend well when crossfaded.)Additionally to this you can edit the playback behaviour of hairpins with Sibelius. Select the hairpin and change the behaviour of it in the Properties window under Playback/Hairpin. For details take a look at the Sibelius manual.
In some cases it might also help to change the Sibelius espressivo setting to "Poco Espressivo" or "Senza Espressivo". You can find that in the Play/Performance menu.
Best,
Andi
Vienna Symphonic Library -
Hello Andi, I have already tried using the velocity crossfade as you mentioned. I read through the 'optimizing sibelius' pdf that you mentioned. I will experiment more with the 'Espressivo' stuff. But I am still noticing that the fader for the the vienna ensemble is not moving smoothly, especially when you do a hairpin under 4 eighth notes for example. It seems to be RESETTING on each one, and then, picking up at the velocity it left off on. What am I missing here? -Peter
