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Now that with MIR we will have a perfect stage, how can we improve our rooms and make them perfect as well?
We can find everything from 5 euros foams in supermakets to 1000 euros super-mega-panels.
In any advertisment the x-brand is the ultimate and best.
It's not so easy to make a decision because we cannot try it before buying it.
How did you treated the Namm and Musikmesse "cube" room?
Can you give us some good advices?
Thanks
Sergino
Sergino,
You are absolutely right that the acoustic environments many people work in leave a lot to be desired. Sometimes I have to shake my head in disbelieve when people happily buy some esoteric audio gear for thousands of Euros / Dollars, but are to greedy to invest the same money for something that _really_ matters: Acoustics. Good monitoring situation almost automatically lead to good results.
The bad news first: Proper acoustic treatment of a room is _never_ cheap. Plus: It will most likely need an expert to get real enhancements (instead of just a different, but not necessarily better situation).
The good news: Once you have a working environment, it won't get obsolete or unhip. You can use it for years without the need for an update. ;-)
Our "Cube" was designed by the same specialists who planned and built our editing suites and the Silent Stage:
[URL]www.tonarchitektur.at[/URL]
[URL]www.team-loeffler.at/indexe.html[/URL]
... in other words: Proper acoustics is not just about "the quick treat", but a serious undertaking which costs some serious money ---- but it helps! 8-)
Kind regards,
