Normally finale can play Microinervalls with following trick:
in Midi value you click on pitchwheel
you create a mf-tool assign where the playback option is pitchwheel
make sur that before the patch is on Bank 32, program change fore finale switches the patches, even if you click somewere else this value resists for using different patches of the VSL patches
one big Problem: normaly finale plays diffeent pitches, e.g. a sharp quartertone by using +300 or -300 (my favorite) assigned yto the note with midi or Garitan, but the pitchwheel does not have any impact on the normal keyboard pitchwheel, like it has by changing the a' fromm 440to 340Hz for example.
I have no idea why yet.If anybody knows pleas tell me.(I know the samples would sound strange, but evryone who worked in an orchestra like me knows it always sounds strange and the artculation sucks a little bit, if e.g. the woodwinds don't use diffrent"Klappengriffe" (no idea of this word in english) and the violin often were smearing like on the tzigane effect.Often orchestrasare not able to play fast the changes. Even people from the Ensemble modern are not playing them in presto.So I don't care about the fear that at the moment there is no quartertone volume yet available. I'm also waiting for a special effect volume for multiphonix and other "new" techniques of the last century, because often the musicians want to get a recording befor the UA (thats why I chose VSL, I worked only once with the Ardittis, and they never made a VSL Aditti volume, Iguess it's too expensive to ask E2M2 Vienna contemporain esemble or ensemble modern for playing those effects, and e.g. the berlin phliharmonic simply never plays music while the composer is alive. Maybe that's also the case of the Wiener Philharmoniker?
Juda
