Sounds good to me! Will your template use VE outside of logic or is all based on VI's inside logic?
-
Inside Logic. I can't use VE yet as my machine can only run about 8 instances of VI in one VE without choking .. so I'm waiting on the 64 bit version. VE looks great .. but it's just unusable for me ... unless I'm doing something wrong. But .. you must admit .. the sound I'm getting from the way round I'm doing it does work nicely :D
-
Hi Heto, I´m not sure, if you have gotten my mail, so I´ll write here again. The template helps a lot. Thanks a lot for that! In my case it is very easy to load. Not many changes like changing the Midi devices were needed. From my stage of mixing the Plan-of-action mix is amazing. Is that the same template as the one, you used for Starship Farragut? I´ve downloaded a song from Itunes and to me the "Plan of action" sounds even better.
-
The New Template (The one I sent you) .. is based on the one I used for Starship Farragut. Only now I've managed to correct a few things that mean I can have more depth, less mud and a louder sound. I did get your last message by the way (Just been very busy). .......... Plan of Action is an alternative cue from Farragut that ended up being made a little less decisive (Less horns), but I really liked this version of it .... and yes it was very much inspired by Jerry Goldsmith. :D ..................... (Man I wish this forum would work better with Safari) ........ ........ Anyways, feel free to send me feedback on the Template as I'm looking to publish it to my site soon, and if you feel that you like the sound it gives then thats cool. Also if the settings all opened correctly then that's also good. I find that Logic really does have some silly issues with saving and opening presets which I hope will be cured soon.
-
Finally I have a hint, I can give you!
Even though it is just about this homepage:
. To add a break to your text on safari, you have to type arrow left, then p and then arrow right without any spaces between them. . I dont know, how to make a real blank line, but you can just put a "." in the line and create a new break. . Anyway, I hope they´ll fix this soon!
-
After reading this topic I did some rather extensive testing with altiverb. My conclusion is that the farther you put your instruments back (both with mic selection and stage position) the less pan information gets across - regardless of whether it's from the panned direct signal or the stage positioning or both - In general altiverb diffuses the panning a ton - which is reaslitic I guess but the result I feel is that is hard to have a balanced (i.e controlled) stereo image. I also tried every possible combination of sending signal to both the early reflection and the tail seperatly (in a chain AND using the same signal twice at the same time via an aux bus with two sends). It never sounded as good as the signal being proccesed in one instance of altiverb - the diffrence was signficant. Even if I had the CPU to run the 6 instances of altiverb I'd need to pan in stage positioning it still wouldn't give me very good control over the stereo feild (unless I used all close mics and close stage positionings which I don't want to do). If anyone has tricks on how to regain control over the stereo image while using large diffusing IR's it would be much appreachiated.
-
Hi Magates, the loss of stereo image is natural, cause the further away the sound source is, the smaller is its stereo image. I´m quite content with my result now, splitting the altiverb stereo positioning and the rest (ER and Tail). The output of the track with the stereo positioning has also a S1 stereo imager on it and its output goes directly to the master output. . I don´t agree, that one instance of altiverb is better than splitting, cause I think that combinations of different IR for positioning, tail and even ER often sound better, than using the same IR for all three of them. . Example: I´m using the original orchestral positioning preset (Konzerthaus Vienna) for the positioning, the disney hall for the reverb, but the Konzerthaus Vienna with a little larger size for the ER. I don´t know, if that´s recomended, but I like the result much better than just using the Konzerthaus
-
In my case, having had the same problem, I didn´t see, that reverb and specially the mix between early reflections and direct (not exactly "direct", cause it comes thru the stereo placement) signals are very important to place my sound more in the back. . So I - wrongly - tried to get all the depth by using the altiverb positioning, forgetting about the other posibilities for placing instruments further away. Now, since working more with the other parameters, I don´t have to place the speakers so far in the back, saving a lot of stereo impression. Maybe this helps in your case?
-
Well .. I don't think you did it wrong. It's just that I found AV to be really hard to place instruments without screwing something else up. I tried Maartens Presets but for me they just sounded fake. (I concede that I probably did it wrong :P), and so hence why I've been trying other methods.