@Paul said:
If you hold more than 1 note, the Note On Velocity of the next note will also affect the velocity of the sustained note, so we simply might take that option out as well, to avoid confusion [:)]
Well, I can't exactly remember how the velocity crossfade on the old S1000 behaved in this regard, but it seems to me the voices were independent... Strictly speaking, velocity crossfading _is_ the behavior I'm referring to (crossfade as a function of velocity) -- what the VI does with the fader would be better named "sample crossfade" or "dynamic crossfade", and is basically a controller re-mapping of a velocity crossfade.
So, are you saying that you're considering simply removing the NoteOn Velocity option as a mapping for the velocity crossfader? That would be a real shame. It's not the greatest option for solo instruments, where the phasing/doubling sound is often quite obvious, but for the full strings and chamber strings it's basically fine (sure, it would make for a funny looking score if everytime you wrote in a "p" the part had music for 6 players, whereas everything marked "mp" had music for 12!). Why not just implement the velocity crossfade by voice? I suppose the GUI fader would look a little out of place, but at least you'd have an actual velocity crossfade.
On the other hand, if I really need it, I suppose it's possible to map velocity to CC11, or whatever, in the Logic Environment...
J.