No doubt it will be pricey. [:)] [:'(]
The sessions would have to be on a much grander scale than usual - not simply going in and recording the chromatic scales of each articulation, but actually performingmusic and then whittling away the 'excess'. There would be a fair amount of 'throw away' material played who's only purpose would be to get the expression of the actual sample being recorded correct. (if anyone here has seen - and remembers - the old Warner Bros. cartoon where they show a tooth pick being manufactured - big fearsome factory - with that typical Warner Bros. 'industrial' music - whole trees getting clear cut, shoved into a monstrous machine, big bruhaha, and then at the end from all that - one teeny little tooth pick, everything else waste [[;)]] - an exagerated image to help convey the idea [:D] ).
I don't see how else the sound is to be achieved, without actually coexing the musicians to perform, by actually performing. The session conductor in this case will really be put to work - just as much effort as recording an actual expressive performance, simple beat counting will not do!
And an actual well planned score would have to be written.
Oh and lets not forget, romantic chamber strings as well for divisi... the opening to the prelude to Lohengrin isn't just going to mock itself up. [:D]
The sessions would have to be on a much grander scale than usual - not simply going in and recording the chromatic scales of each articulation, but actually performingmusic and then whittling away the 'excess'. There would be a fair amount of 'throw away' material played who's only purpose would be to get the expression of the actual sample being recorded correct. (if anyone here has seen - and remembers - the old Warner Bros. cartoon where they show a tooth pick being manufactured - big fearsome factory - with that typical Warner Bros. 'industrial' music - whole trees getting clear cut, shoved into a monstrous machine, big bruhaha, and then at the end from all that - one teeny little tooth pick, everything else waste [[;)]] - an exagerated image to help convey the idea [:D] ).
I don't see how else the sound is to be achieved, without actually coexing the musicians to perform, by actually performing. The session conductor in this case will really be put to work - just as much effort as recording an actual expressive performance, simple beat counting will not do!
And an actual well planned score would have to be written.
Oh and lets not forget, romantic chamber strings as well for divisi... the opening to the prelude to Lohengrin isn't just going to mock itself up. [:D]