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  • Hi Alexander - unless they take more than the three days originaly set for these recordings we wont be seeing that many articualtions I think.

    I just hope they do sustains at 3 dynamics.

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    @Peter Alexander said:


    I don't know if you got my e-mail about this, but besides a .3 and a .5, I feel the collection needs overall a .7 and possibly a .9. I love the .5s, but I frequently find myself wishing they were a little longer. For example, a .7 would cover the pitch lengths quite nicely in Mozart's A Little Night Music..


    I am also frustrated with the note lengths under 1 second. However, it might well be that the new VI will deal with this. To my mind there are basically 3 parts to a sample; the attack, the middle and the release. It may well be that VI (either now or in the future) will be able to crossfade these segments from different samples. I have a feeling that the release sample is already automatic, but don't know about the attack.
    FWIW there are so many times that I can't find a useful articulation for what I want, that I don't think that loads of extra recording would help (unless VI gets to read my mind, or work with a large latency, a bit like Synful). After hearing about all the heavy duty editing that has been going on for the last couple of years, I am hoping that the new VI will be much more flexible regarding these shorter note lengths.

    DG

  • i think many user don't like to buy the sound they have just for using the instrument.
    This product is good for a new user but for us, we pay 2 time for the same sound.
    Why not be possible to buy sound by sound.

    Expl leg v1= X euro
    alti stacc= x euro ETC...

    And for exemple , the very simple music i would like to play musically with string is the albinoni adadgio.(giazotto)

    If a string vsl product can give the emotion, i will be ok to buy it [:D]

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    @thierry.ecuvillon said:

    i think many user don't like to buy the sound they have just for using the instrument.
    This product is good for a new user but for us, we pay 2 time for the same sound.


    So people keep saying, but it's just not true. If you read the specs it states that there is "new" material in the standard version.......

    DG

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    DG

    @thierry.ecuvillon said:



    And for exemple , the very simple music i would like to play musically with string is the albinoni adadgio.

    Which isn't even by Albinoni [:D]

  • The intent of my post was to:

    1) give a short list of what "epic" strings might sound like, along with the rough location in the score.

    2) To encourage a few longer note lengths. At present, the .5 in the strings can make for excellent fluid legato lines without using the Performance tool. The problem is when you come to a sustained pitch that's slightly longer than the .5, forcing you to find a matching sustain which in turn adds an extra track. A .7 or a .9 could be a very all purpose program.

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    @Peter Alexander said:

    The intent of my post was to:

    2) To encourage a few longer note lengths. At present, the .5 in the strings can make for excellent fluid legato lines without using the Performance tool. The problem is when you come to a sustained pitch that's slightly longer than the .5, forcing you to find a matching sustain which in turn adds an extra track. A .7 or a .9 could be a very all purpose program.


    Yes, but maybe VI will do that for you, so that you won't need an extra track/match velocities/crossfade etc.

    DG

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    @Peter Alexander said:

    The intent of my post was to:

    2) To encourage a few longer note lengths. At present, the .5 in the strings can make for excellent fluid legato lines without using the Performance tool. The problem is when you come to a sustained pitch that's slightly longer than the .5, forcing you to find a matching sustain which in turn adds an extra track. A .7 or a .9 could be a very all purpose program.


    Yes, but maybe VI will do that for you, so that you won't need an extra track/match velocities/crossfade etc.

    DG

    The purpose of this thread is make recording suggestions for Epic Violins. This I have done, with score references.

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    @Peter Alexander said:

    The purpose of this thread is make recording suggestions for Epic Violins. This I have done, with score references.


    Fair enough. I was just trying to suggest that it may well not be necessary, after all I would rather that they recorded things that we can't even fake..!

    DG

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    @Peter Alexander said:

    A .7 or a .9 could be a very all purpose program.


    Very good idea here as it would fill in a very much needed gap in the articulations. I imagine we will eventually see these for all instruments ( but later rather than sooner unfortunatly.)

  • Sorry if this is a stupid question, and I did search the forum and read the FAQ but I couldn't find a definitive answer:

    Can you say if this library is likely to be available in Horizon format or will it be VI only?

    In fact, will there be any more Horizon products released at all from hereon?

    Thanks

    R

  • Recording sessions for the large violin section have already started.
    We have changed the working title to Appassionata Violins, somebody mentioned here that "Appassionata" would be a better name tha "Epic", and that's right, because Appasionata is exactly what they are.

    We also expanded the recording schedule to much more recording sessions, and we also developed a new modular performance-interval producing/mapping scheme.
    So we are able to offer real interval legato patches for many different articulations.
    Main focus is on two velocity variations, one in mp and one in mf. Here you will get performance legati with medium vibrato, heavy vibrato, progressive vibrato, variations with slightly out of tune notes (at the beginning) going into tune.
    There will also be a pp performance legato patch with strong vibrato, and a molto appasionate ff patch.

    I'm very, very happy with the results so far, and we try to offer you this stuff as fast as possible. Maybe we can upload first patches end of March.

    best
    Herb

  • Much better title.
    The word 'epic' in a musical context always reminds me of some film blockbuster, and those damn taiko drums!
    Like the idea of progressive vibrato too.

    Herb, any idea on how heavy a load this will place on Ram and CPU?



    Alex.

  • Thanks for the session update. Sounds like it will be fantastic and it that it will be a very successful title for you and your team.

    Rob

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    @herb said:

    Recording sessions for the large violin section have already started.
    We have changed the working title to Appasionata Violins, somebody mentioned here that "Appasionata" would be a better name tha "Epic", and that's right, because Appasionata is exactly what they are.

    We also expanded the recording schedule to much more recording sessions, and we also developed a new modular performance-interval producing/mapping scheme.
    So we are able to offer real interval legato patches for many different articulations.
    Main focus is on two velocity variations, one in mp and one in mf. Here you will get performance legati with medium vibrato, heavy vibrato, progressive vibrato, variations with slightly out of tune notes (at the beginning) going into tune.
    There will also be a pp performance legato patch with strong vibrato, and a molto appasionate ff patch.

    I'm very, very happy with the results so far, and we try to offer you this stuff as fast as possible. Maybe we can upload first patches end of March.

    best
    Herb


    Holy hell this sounds great. And this stuff will still be free for "Pros"?

    My guess is your plans are to offer this one for free, and then release a new VI which include the cellos aswell? Would be nice!

    Herb this really sounds extraordinary - thanks!

  • I started salivating just reading about it. [:D] Can't wait!

    Best,
    Jay

  • Herb, what a good news !!!!
    You made my day [[;)]]
    Can't wait to hear an exemple

  • What a new ! it should be nice to hear some demos, at least a little 5 seconds [[;)]]

  • I bet we are all dying to hear so demos please! [H] Any ideas when and at what cost it will be available for the common mortals without the VI?

  • So will these new violins have more people in the ensemble than the regular VI strings? Or are you trying to expand upon what the strings are now? I wonder because I see you have a PP and a FF but no P or F in there. It will still be free correct for those that have the pro edition and have boughten the standard VI? Thank you for answering these questions in advance and for giving this "bonus" [:D] .