Hmm. One thing that always bothers my musical works is a slight phasing that seems to happen. I know it's not my speakers cos when I pplay other things through it they're okay.
You can always telling slight phasing if you place either side of your head at a right angle to the speakers and move around, there's a perseived 'sweep' going on as you go between and up and down.
So what can I do about this. In terms of mixing I usually try to do it right. Panning the Strings section from L35 to R35, and the other instruments accordingly. So I think my panning is okay.
But also ... how the hell do I create the impression of depth. I see the Beat Kaufmann uses a surround pan to put the woodwinds et al into a mono position thus creating the 'depth' feel. But how dod I do that. All my pieces just seem to close to the speakers. All I can do is put a heavy verb on it .. which people tend to moan about. Simply lessening the volume doesn't do it either, cos that's not changing percieved depth.
I'm using logic, so what can I do. Experimenting is one thing .. but I need to get it right. Can anyone suggest depth measures that I can take .. and perhaps a good book on mixing and panning orchestra.
Tah
Hetoreyn
You can always telling slight phasing if you place either side of your head at a right angle to the speakers and move around, there's a perseived 'sweep' going on as you go between and up and down.
So what can I do about this. In terms of mixing I usually try to do it right. Panning the Strings section from L35 to R35, and the other instruments accordingly. So I think my panning is okay.
But also ... how the hell do I create the impression of depth. I see the Beat Kaufmann uses a surround pan to put the woodwinds et al into a mono position thus creating the 'depth' feel. But how dod I do that. All my pieces just seem to close to the speakers. All I can do is put a heavy verb on it .. which people tend to moan about. Simply lessening the volume doesn't do it either, cos that's not changing percieved depth.
I'm using logic, so what can I do. Experimenting is one thing .. but I need to get it right. Can anyone suggest depth measures that I can take .. and perhaps a good book on mixing and panning orchestra.
Tah
Hetoreyn