Sounds good! The second half with the heavy drum taking over as a central pulse kind of lost the playful ticking rhythmic counterpoint from the opening -- perhaps something might be done other than thumping in a steady rhythm, from about 1:05 on? Beethoven manages to be rhythmically inventive across a straight rhythm without losing the meter or the interest.
Evan's comment about time made me pause, perhaps because I'm becoming a Carl Ruggles, myself. Learning to cope with time-pressure might be desirable, but perhaps not more valuable than learning to perfect?
Evan's comment about time made me pause, perhaps because I'm becoming a Carl Ruggles, myself. Learning to cope with time-pressure might be desirable, but perhaps not more valuable than learning to perfect?