JBM,
I read with great interest your post, and agree very much. In fact, I have heard very few people discuss this in such an intelligent way - especially the idea of how using samples is in a sense a new way of representing not the prowess of a brilliant performer, but the imagination of the composer. This is a great point you made. I also am mainly a concert composer (who does some film music) and am using the VSL and other libraries just for composing. They are tremendous tools that have never existed prior to our time, and can be part of something very idealistic - not just as an economical substitute for a film orchestra. Thanks for sharing your fascinating thoughts.
I read with great interest your post, and agree very much. In fact, I have heard very few people discuss this in such an intelligent way - especially the idea of how using samples is in a sense a new way of representing not the prowess of a brilliant performer, but the imagination of the composer. This is a great point you made. I also am mainly a concert composer (who does some film music) and am using the VSL and other libraries just for composing. They are tremendous tools that have never existed prior to our time, and can be part of something very idealistic - not just as an economical substitute for a film orchestra. Thanks for sharing your fascinating thoughts.