Man, William is like a walking encyclopedia.... I just wanted to through in that I´m seriously impressed about all the knowledge he shows here on this forum.... I merely can grab 3 percent, or so....

I've been able to grab about 4.5% of William's knowledge.

DC

William,

Yes, ridiculous that the great composers on that show are not listed somewhere. Goldsmith's score for the Agnes Moorehead episode is certainly a classic.

Herrman's score are pretty easy to recognize as you know. What an amazing writer that guy. So unique is his sound that within seconds you know it's him.

DC

I've been able to grab about 4.5% of William's knowledge.

DC

Makes altogether 9 percent? I´m very jealous...

Thanks for those compliments.

I agree on the Jerry Goldsmith TZ with Agnes Moorehead. That solo violin playing those scratchy tritones! I can still hear it and shudder. That episode is, if you look at it without any preconceptions, a radical experimental film. No dialogue, one actor, one set and a major collaboration between a brilliant composer and a director creating pure cinema.

And this was on network television??!!

Bill,

Yes very radical approach that works like gang busters. Makes you understand why Orson Welles was so impressed with Ms. Moorhead. Monster chops as an actress. That episode is one of the best ever in that series.

DC

mathis,

I can't add: 1 post + the same post = 0 intelligence.

But I do it all the time.

I listened to Monochrome today. How do you get such a great sound? I know I asked you before. Are the reverbs and everything the same as before on Drama #3?

Huge sound - the percussion sounded fantastic.

My big weakness is engineering, but I'm getting better. So give me all your tips. When I post some mp3's You and Bill and Paul can advise and help me get a better sound. I think you three have very good bright clean sounding pieces.

Dave

Which one is the Agnes Moorehead? What's it about?

Evan Evans

Hey Evan,

What are you doing still being awake? The one I remember is the one where a guy is moving so fast that nobody can see him, and another with Robert Culp, where at the end he realises he's a robot. I haven't seen these since the early to mid sixties and didn't realise that Bernard Herrmann had written any of the music. Fascinating!

Evan,

Agnes Moorhead is the old lady in a house that's invaded by tiny creatures in little metalic outfits. Of course they turn out to be astronauts from the U.S. and she a giant. A bit of trivia is the fact that the spacecraft says U.S. Airforce since NASA had not been formed yet.

Dave Connor

Paul,

What a shame those shows aren't running in the UK. Is there a DVD? I think maybe there's a DVD in the States but not sure.

Bill will know.

Out with now Bill.

DC

Yeah, there are several sets of DVDs comprising the entire series.

Knowledge from Bill is now at 4.7%

DC

Wow those sound like really cool episodes. I always watched the marathons and own several DVDs, but I have never seen those three. They sound great!

Evan Evans

I remember reading about a Twilight Zone episode which Hermann scored with two instruments...either harp and bass clarinet, or harp and bassoon...I can't remember which.

Sound familiar to anyone? I'd love to find it.

Fred Story

@dpcon said:

Evan,Agnes Moorhead is the old lady in a house that's invaded by tiny creatures in little metalic outfits. Of course they turn out to be astronauts from the U.S. and she a giant. A bit of trivia is the fact that the spacecraft says U.S. Airforce since NASA had not been formed yet.
Dave Connor

The Invaders (The Twilight Zone)
Writer: Richard Matheson
Director: Douglas Hayes

A lone woman battles two miniature spacemen whose craft crashes into her isolated farmhouse. The essentially dialogue-free, one-woman performance by the legendary Agnes Moorehead of Citizen Kane, The Magnificent Ambersons and, later, television's Bewitched, is a tour de force.

Hehe! Sometimes I get mixed up with The Outer Limits. Memory's going. No wonder Evan couldn't remember those episodes I mentioned. [:O]ops:

@Fred Story said:

I remember reading about a Twilight Zone episode which Hermann scored with two instruments...either harp and bass clarinet, or harp and bassoon...I can't remember which. Sound familiar to anyone? I'd love to find it.Fred Story

Fred it might be one of these episodes:-

Where is Everybody?
Walking Distance
The Lonely
Eye of the Beholder

@PaulR said:

Fred it might be one of these episodes:-

Where is Everybody?
Walking Distance
The Lonely
Eye of the Beholder

Which by the way, are the best ones.

Herrmann rules!

Evan Evans

I know it is not Walking Distance which had strings and harp. I will check on those other titles because that sounds interesting. The most unusual scoring for a television show that I've heard was a score Herrmann wrote for "Alfred Hitchcock Presents" that used only bassoons and contrabassoon and was perfect for the episode.