Recording a 2nd violin section with 12 players, does have really minor priority on our "to do" list.
Why?
First our samples are recorded center stereo.
Second we did a lot of tests with different section sizes. And there is nearly no sonically difference between 10, 12, 14 or 16 players.
Therefore we decided to focus generally on expanding the articulations of the violin section. To start recording each existing articulation a second time (with 12 players), seems for us as a waste of time, money and ressources.
But, we are finishing these weeks our small string sections.
(6 -4 - 3 -2), for chamber string orchestrations, divisi groups, and or course for layering with the larger string sections.
I've done first tests, combining solo violin, small and large section.
I can tell you, it's incredible how many options you get for designing "your" string sound.
best
Herb
Why?
First our samples are recorded center stereo.
Second we did a lot of tests with different section sizes. And there is nearly no sonically difference between 10, 12, 14 or 16 players.
Therefore we decided to focus generally on expanding the articulations of the violin section. To start recording each existing articulation a second time (with 12 players), seems for us as a waste of time, money and ressources.
But, we are finishing these weeks our small string sections.
(6 -4 - 3 -2), for chamber string orchestrations, divisi groups, and or course for layering with the larger string sections.
I've done first tests, combining solo violin, small and large section.
I can tell you, it's incredible how many options you get for designing "your" string sound.
best
Herb