Anyone here with inside information on what reverb units are currently most frequently used in film scoring studios? Are they already using convolution based reverbs or still mainly using the expensive Lexicons? What do we hear in the typical JW, JNH and Shore productions?
Is the convolution "revolution" something that is mainly affecting smaller project studios?
(btw: this is a copy of my post on the NS forum)
Thanks,
Peter
www.PeterRoos.com
Is the convolution "revolution" something that is mainly affecting smaller project studios?
(btw: this is a copy of my post on the NS forum)
Thanks,
Peter
www.PeterRoos.com