Yeah the last parts were very creative [:)]
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Guy Bacos does it again! Nice work Guy. I challenge ANYONE to tell me that it is impossible to put true character and emotion into orchestral samples! You can't just HEAR this piece - you can FEEL it. Schumann would be proud.
Great use of Glass and Stones as well.
Careful and effective use of the mod wheel on Brass. Wow! That brass sure rips doesnt it?
Nicely done Guy! Looking forwrd to hearing much more from this talented composer/arranger/orchestrator.
-Terry Michael Huud
www.Music4TheMovies.com
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Hi Guy,
these variations are just amazing. Now I have the full VI orchestral strings,
I'd really like to know what patch for the strings you used in the 4th variation.
Was it a combination of runs, and another patch, or just one patch.
thanks, I'd love to know if possible.
best regards.
Steve [:D]
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@Steve Martin said:
Hi Guy,
these variations are just amazing. Now I have the full VI orchestral strings,
I'd really like to know what patch for the strings you used in the 4th variation.
Was it a combination of runs, and another patch, or just one patch.
thanks, I'd love to know if possible.
best regards.
Steve [:D]
Thanks Steve.
It was a combination of scale runs, but it demands perfect timing for it to sound natural. However it's doable.
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Hi Guy,
thanks for the answer. I must say that when I listened to these variations I would start thinking how the instrumental combinations you used were very effective, and, particularly this variation, gave me ideas for a piece using a similiar sound in the strings.
Thanks again for your reply,
best,
Steve [:D]
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I've always loved Schumann's Kinderszenen. Schumann is in my mind one of the greatest romantic composers, perhaps THE greatest. Guy has done a remarkable job
in bringing the spirit of the original into the orchestral rhelm. At times one comepletely forgets that this is an orchestral library. Scary!
Way to go Guy.