"how to achieve the optimal dynamics for the particular medium - Angelo Clematide
How can you do this in samples without addressing elements that arise in composition, orchestration and performance? Try it. You will discover it is impossible.
Also, your discussion begins with adjustments of levels of different instruments, and that is very definitely of musical, compositional signifcance.
Besides, it is totally unnecessary to use this system for studio equipment calibration. If one owns or works with equipment, one should have already learned long ago how to use it properly unless one is an idiot. Though your system may be of use to you, and I am not trying to deny it's validity for your purposes if you want to work that way. But this thread implies that this is the only way anyone professional should work, and that is flatly wrong.