I've finally had a chance to really delve into the brass section of the library more deeply. First off, I want to say that these brass musicians are absolutely outstanding! Having played tuba for two decades, I really appreciated the excellence of the low brass in particular.
But back to my main point. While playing with the tuba grace-leg patch, I noticed that the effect (especially with minor 3rd skips) was similar to the player tonguing between notes. I was wondering if this was worth pursuing - the equivalent of the legato tool for the wind instruments but with normal or legato tonguing instead of sluring. I think this would be preferable to a series of individual short samples in a tongued passage - the note transistions would be more natural.
Thoughts?
But back to my main point. While playing with the tuba grace-leg patch, I noticed that the effect (especially with minor 3rd skips) was similar to the player tonguing between notes. I was wondering if this was worth pursuing - the equivalent of the legato tool for the wind instruments but with normal or legato tonguing instead of sluring. I think this would be preferable to a series of individual short samples in a tongued passage - the note transistions would be more natural.
Thoughts?