Hi Stephen,

I don't own much of the Horizon series. I do however own the complete old Cube & Performance Set, the complete new Cube and the SE.

The main reasons to get the SE are #1 - the Vienna Instruments interface. It's awesome, especially compared to how we used to have to work - and #2 - the additional instruments, which are quite usable, i.e., Appassionata, Saxaphones, Epic Horns, etc.

However, these additional instruments like the rest of their brothers in SE package are only subsets of what's available in the full package of each of them.

I can't stress enough how much difference the new Vienna Instruments GUI will make in your workflow.

So it's summer in SF. You must be cold. Don't worry, it'll warm up in November or you can just go to Oakland.

Best regards,
Jack

@Another User said:

I really need to be able to justify any amount of overlap if I move to the SE.

There is overlap, but SE has a much more complete instrumentation at a fair price and contains the excellent new Vienna Instrument, which is the way forward for VSL - I imagine all their products from now on will run on that engine.

If sample overlap is a sticking point I suggest you wade through the respective articulation lists available here (maybe print them out for ease of comparison) to see exactly how much is duplicated. I doubt another user would have time to do that for you!

One thing worth bearing in mind - if you buy the SE extended version you will have a complete orchestra (with several alternate solo instruments, wind and brass ensembles and three different string section sizes), saxophones, keyboards and two guitars. No important instruments are missing and some rare ones are included, so you will be able to tackle a full orchestral score. The same can't be said for the Opus bundle.[/quote]

Thanks, Conquer!

So, a quick question -- as you said, only part of the Epic Horns package is on SE -- so, I could go pick up the original EH, and run it in Kontakt like I do with the Opus files, or get the stripped-down EH offerings in SE.

Or, is there a version of EH that I can buy that will run in the new Vienna Instrument (that comes with SE). For that matter, if I bough the full version of App. Strs. separately, can that run also in the VI?

I'm really tempted by the price of EH, and I love its huge sound -- I don't want to miss that in SE ..... what's your advice?

Hi Steve.

@Another User said:

>I'm really tempted by the price of EH, and I love its huge sound -- I don't want to miss that in SE ..... what's your advice?

EH is often praised by VSL fans and it's safe to say it's one of their most popular titles. I think it's a classy, powerful and versatile French horn section - to get the best out of it you definitely need the full version. (To make it sound 'cinematic' you'll need a decent reverb.) Check the price of the Horizon version online, you might be entitled to a discount by virtue of owning the Opus bundle.

If it's a question of either / or, I'd buy the SE, which will give you a good overview of much of VSL's huge collection, including the Epic Horns. If certain instruments stand out, you could then consider buying their full version, but keep an eye out for future availabilities - I believe the Pro Edition will be discontinued in September this year.

I just finished installing Pro Edition (what a piece of library!) and fiddled a bit either with it and VI SE: same patch (Performance legato violins), no audible differences between 16 and 24 bit.

The big innovation (at least for Mac users) stays in the AU plug-in, far more friendly than the old EXS-24 Performance Tool.

But I'm sure that with a limited budget I did the wisest thing buying Pro Ed, no regrets.

Next move? Appassionata, no doubts.

[;)]

Boy, once again I'm confused by Vienna's product names.... So, Coqui, I just looked on the VSL site for "Pro Edition" and see that it doesn't actually exist -- because it takes me to a page with many products, each of which has a "Pro Edition" version....

And, once again, I'm filled with millions of questions.... like, how much overlap is there between the Pro Edition and the Opus 1/2 I've got now?

And also, does any of this Pro Edition (whatever that seems to mean) work in Kontakt? It appears not, since at the top of the page I see "Tascam, Gigastudio," etc. but no Kontakt.

Ah, confusing questions!

[:D]

@stmain said:

Boy, once again I'm confused by Vienna's product names.... So, Coqui, I just looked on the VSL site for "Pro Edition" and see that it doesn't actually exist -- because it takes me to a page with many products, each of which has a "Pro Edition" version....

And, once again, I'm filled with millions of questions.... like, how much overlap is there between the Pro Edition and the Opus 1/2 I've got now?

And also, does any of this Pro Edition (whatever that seems to mean) work in Kontakt? It appears not, since at the top of the page I see "Tascam, Gigastudio," etc. but no Kontakt.

Ah, confusing questions!

[:D]

My pro edition WW translated very well from Giga to K2. Only 2 instrument will have to be remapped out of ...hmmm? Lots of instruments. [:D] I would not try to translate the performance set though. Will translate the brass real soon.

The main benefit for me to go from Opus to Pro is that the samples are chromatically sampled which sound better, more professional. Second, you get more articulations like dynamics for sustain, trills etc.


Look again on there shop to understand the difference between pro etc.. All the info is there. The pro edition is the name given by volume like Pro edition strings, pro edition Brass & WW etc.. Orchestral Cube means all pro editions(strings, brass & WW, percussions). The orchestral Package includes the Orchestral Cube and the performance set.

@Anonymous Joe said:

The main benefit for me to go from Opus to Pro is that the samples are chromatically sampled which sound better, more professional. Second, you get more articulations like dynamics for sustain, trills etc.

Tons of articulations: the user manuals of the Pro Cube and Performance Set weigh approx 1 kg.
It's amazing: in Pro Edition one has an articulation for practically everything, you can do almost everything a real orchestra can do.

I had read the Pro specs in this website, but I couldn't figure such a cornucopia...

[:)]

Okay, thanks.

So, if I want to save money and have as many options as possible, AND I still want to work in Kontakt (for the time being, anyway), then maybe in addition to Opus 1/2, which I own, I should have

1. Epic horns (which works in Kontakt, because it's Horizon)
2. Solo strings (because it has the perf-leg sounds that the solo strings in Opus 1/2 don't have, and it works in Kontakt)
3. Maybe harps, because it has more techniques than the harp in Opus 1/2, and it works in Kontakt.

Then the next stop, in the future, might be Appassionata Strings, which I understand DOESN'T work in Kontakt.

I guess my point is: I should get the 3 above because they'll augment Opus 1/2 nicely in terms of articulations, and the work in Kontakt. My sense is that the SE has even fewer articulations than Opus 1/2, and so I'd be stepping backward if I got just SE.

Steve

@stmain said:

Okay, thanks.

So, if I want to save money and have as many options as possible, AND I still want to work in Kontakt (for the time being, anyway), then maybe in addition to Opus 1/2, which I own, I should have

1. Epic horns (which works in Kontakt, because it's Horizon)
2. Solo strings (because it has the perf-leg sounds that the solo strings in Opus 1/2 don't have, and it works in Kontakt)
3. Maybe harps, because it has more techniques than the harp in Opus 1/2, and it works in Kontakt.

Then the next stop, in the future, might be Appassionata Strings, which I understand DOESN'T work in Kontakt.

I guess my point is: I should get the 3 above because they'll augment Opus 1/2 nicely in terms of articulations, and the work in Kontakt. My sense is that the SE has even fewer articulations than Opus 1/2, and so I'd be stepping backward if I got just SE.

Steve

I think we're on the same boat.

Please let me know where you get the solo strings as they are discontinued and hard to find?

@Anonymous Joe said:

The main benefit for me to go from Opus to Pro is that the samples are chromatically sampled which sound better, more professional. Second, you get more articulations like dynamics for sustain, trills etc.

Tons of articulations: the user manuals of the Pro Cube and Performance Set weigh approx 1 kg.
It's amazing: in Pro Edition one has an articulation for practically everything, you can do almost everything a real orchestra can do.

I had read the Pro specs in this website, but I couldn't figure such a cornucopia...

[:)]

Agreed, and just learned a new word there. [:D]