When mixing, consider that in a real orchestra recording situation the brasswinds are 1-2 meters further away from the stereo microphones then woodwinds, sometimes more and without spot mic. Therefor brasswinds have slightly less energy then they could have at arrival at the microphone position.
In other words, the seating positions of the different instruments are traditionally already considering the non-linear dynamic ranges of the particular instruments. That phenomenon is something you have to adjust in the virtual mix with different 3D concept.
I guess all wind instruments are recorded at nearly equal or same distance, but that's something Dietz may answers.
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In other words, the seating positions of the different instruments are traditionally already considering the non-linear dynamic ranges of the particular instruments. That phenomenon is something you have to adjust in the virtual mix with different 3D concept.
I guess all wind instruments are recorded at nearly equal or same distance, but that's something Dietz may answers.
.