I was just wondering how VI (or even virtual instruments in general) handle sample rate conversion. I know that the VSL stuff (and most other sampled virtual instruments) is recorded at 44.1. If you're working in a session at say, 48k does the conversion happen at the VI level or in your sequencer? Are there artifacts? Color changes?
Most of my experience dealing with mixing live audio tracks, I definitely prefer working at 48k and since most of my delivery is for film and TV, my end product is going be 48k at some point. But for some of my new projects where I will be working primarily with virtual instruments that were originally sampled at 44.1, I wonder if there is really any advantage or even if it is a disadvantage because of the need at some level for the sounds to be resampled. Is working at 48k in a world of Virtual Instruments just unneccessary CPU drain?
Thanks for any insight!!
Most of my experience dealing with mixing live audio tracks, I definitely prefer working at 48k and since most of my delivery is for film and TV, my end product is going be 48k at some point. But for some of my new projects where I will be working primarily with virtual instruments that were originally sampled at 44.1, I wonder if there is really any advantage or even if it is a disadvantage because of the need at some level for the sounds to be resampled. Is working at 48k in a world of Virtual Instruments just unneccessary CPU drain?
Thanks for any insight!!