HARPS
INSTRUMENTS
Harp I
Harfe II
This Collection owes its two instruments to the use of two harps in orchestral music of the mid 19th century. Harp 1 is played by Ruth Rojahn, harpist of the Hofer Symphoniker and internationally successful soloist. Apart from single notes in various playing styles the first harp offers an enormous wealth of glissandos, which now in Vienna Instruments are particularly brilliant and easy to use. The controller structure allows for extremely flexible and quick access – the user can switch between ranges, different tempos, up and down movements, and different scales in real-time while playing. Now you can access all Dimensions at the same time! The first harp’s spectrum is rounded out by a wide range of arpeggios which were not available until now.
The second harp, played by Julia Reth, contains an even larger number of single notes, also offering playing styles like damped, fingernail playing, and pedal glissandos. A lovely ethereal effect is created by the bisbigliando variations, the whispering of tender tremolos on two strings playing the same note.
ARTICULATIONS - Full Library
Sustained notes:
Normal , secco, près-de-la-table, fingernail playing normal and secco, harmonics, bisbigliando, pedal glissandos
Glissandos:
Major and harmonic minor full-scale
Melodic minor, diminished, pentatonic
Whole tone scale
Slow, medium, fast
One, three, and 5 octaves, single and multiple cross glissandos
Fast fortissimo glissandos spanning 1 octave
Arpeggios:
Major, minor, diminished, augmented
Three and four notes
Slow, medium, fast
Standard harp 1
Single Notes: Normal, muted, harmonics, and bisbigliando
Glissandi: Medium speed major, diminished, pentatonic, and whole tone
Extended harp 1 incldues the Standard plus the following:
Single notes: Près-de-la-table, normal with muted release
Glissandi: All speeds, major, minor, diminished, pentatonic, and whole tone
Arpeggios a3: Major and minor, diminished and augmented upward arpeggios, slow, fast, and straight (played as chords
Arpeggios a4: Major and minor, diminished and augmented upward arpeggios, slow, fast, and straight (played as chords)
Harp II
Basic Articulations: Normal, muted, harmonics, and bisbigliando
Extended: Damped, près-de-la-table, fingernails, pedal glissando, and normal with release variations