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And with reverb it's dangerous to work too long in one go: your ears adjust and next morning you could be in for a shock! First impression next morning is the most relevant guide!
@Simon Fox said:
[...] With convolution reverb it's even more sensitive, and often 0ms will sound cleanest. [...]
@Nick Batzdorf said:
I almost always use a long (40 - 50ms) predelay on strings, because it lets you hear the bow impact and still let them float in reverb. That's true of the other sections too, but especially strings.
@Dietz said:
So where do you think did our first real-world tests regarding the MIR-project start ... :-]
Using AltiVerb, I found that using the "negative" delay-setting (which means that the IR is shortened at the beginning, AFAIK) works extremely well with our samples, because then the reflections of our SilentStage seem to merge best with sampled reverbs.
If this MIR turns out to be really good (as we expect it will be, of course) it may turn into a general recording industry tool rather than just VSL. Most of my friends (Tonmeisters) are still using Lexicon as their only reverb. If it came as a package in itself, independant of samplers and sequencers,... - could get some major attention!... But this is all 'Zukunftsmusik', as they say!
Simon
