Listening to the new VSL demos, - Mussorgsky, Pictures... - i remarked, that the big unisono passages sound quite unrealistic; like a big Synth-Organ.
The reason for this effect is the fact, that in bigger unisono passages in a real orchestra the tunings of the different players are far away from being similarly perfect as with samples, even within the best orchestras.
Further, it seems, that the ear associates the fact of a certain "roughness" in the overall sounding to a "realistic" orchestral sound.
thats why i think, it would be helpful for further versions of the VI-s, that there's a knob for a certain "detuned intonation", with an adjustable amount.
It would be a great - and easy to control - feature, in my opinion!!!
Greez:
HTF
The reason for this effect is the fact, that in bigger unisono passages in a real orchestra the tunings of the different players are far away from being similarly perfect as with samples, even within the best orchestras.
Further, it seems, that the ear associates the fact of a certain "roughness" in the overall sounding to a "realistic" orchestral sound.
thats why i think, it would be helpful for further versions of the VI-s, that there's a knob for a certain "detuned intonation", with an adjustable amount.
It would be a great - and easy to control - feature, in my opinion!!!
Greez:
HTF