@R.K. said:

also a simple question: Has there been any far east composers, ever ?

How about Toru Takemitsu and Tan Dun?

@R.K. said:

also a simple question: Has there been any far east composers, ever ?

How about Toru Takemitsu and Tan Dun?

Aha that far east...

Toru Takemitsu is a genius, respectively was, have all the records he ever did.

"Tan Dun" is one of the best recorded project ever. It's "THE" reference album i play for clients on my monitoring, especially to those who think they have good engineers.

.

@Angelo Clematide said:

O.K. - let's put it the other way around:
One learned all about music, composition, orchestration etc., but has no IDEA, doesn't hear any music withhin himself !

This fellow you describe is in the wrong business. If he doesn't have any ideas than what's the point? I have more ideas than I could ever count. They will be executed either well or poorly based upon my application of both innate gifts and compositional tools aquired from private study with a master and study of the great masters. This study (at least in my case) has brought me to the place of presenting my ideas a thousand times better than if I hadn't.

I don't understand why people wrestle so with the idea of study or rules. The greatest composers who ever lived were very well aquainted with these processes and taught them to others. It's all about the music - not the rules. Every art and science has it's foundational principles which may be bent, broken or abandoned. But one must possess something before you can discard it.

Your're right Dave, it doesn't make sense. Just happen to me that all student at the academy where that way. I quit the job in 1980.

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@Another User said:

All the rules, and music education won't help you composing music.

First, you have to have a IDEA, all the rest in music comes exactly then when you need it, not a second earlier.

This is completely false.

You can have a great idea, and if you know nothing, be utterly incapable of working it out and presenting it well.

I agree. Much of my living is made "helping" people who have not studied music, and while I gouge every penny that I can out of them, I still feel sad that some of them have been too lazy (or even arrogant) to take the time to study. After all I'm not even suggesting a course at a Conservatoire, just some listening and score studying so that they would have some idea of how to achieve the sound that they want. Obviously we can't all be experts at everything, but I would have thought that if I wanted to be a builder I would have bothered to learn something about most of the trades involved.

DG

I think what angelo is trying to say maybe, is that if you right your composition first on piano to say, and then, orchestrate it. It would be of more interest.
Write and rewrite on piano first until its honed to an idea. Worth listening to.

I've just had some more time to play with the orchestration pallet i had set up with VSL pro ed. I'm very excited that I have more than enough instruments to make up an entire virtual and performance orchestra, about 73 instruments. A success after many days of learning each instrument and how it sounds. After about 4 sitting only, its abvious that VSL is acheivable and one can achieve and produce quickly if certain rules are followed , like not playing 2 cres violins performance legato instruments at one time and other small minor hurdles. Then i realized that while all these great sounds are being created, I'm not really saying anything at all. Because I'm improvising as I'm going along. Had I played an already created piece, it would of had more meaning and interest to a listener.
but a lengthy peice requires all the knowledge possible to create. A short song doesn't.

Angelo, yes I did mean western music. sorry I'm just now catching up here.
Obviously, Its education.

best

@Another User said:

Angelo, yes I did mean western music. sorry I'm just now catching up here.

No, i don't know any earnest composers from the far east, who compose in the tradition of european serious music. Far East would mean Malaysia, Vietnam, Korea, China, Japan.

Well, one i know, Toru Takemitsu (1930-1996), a brilliant genius from Japan. I'm sure there are more, i simply just don't know it. I know composers from all over Europe, from Protugal to the Ural mountains, and from Island to Georgia (the country, not the US state).

General, the composing for orchestra or music "a la European" ends where west Asia starts, that's is when you cross the border from christian/caucasian Goergia with the capitol Tbilisi to muselman Aserbaijan, that's where Europe cultural wise ends in the east.

I know composers in Tbilisi Georgia, for example:

GIYA KANCHELI, a madman, revolutionary, and genius, responsible for many scandals.
http://www.schirmer.com/composers/kancheli_bio.html

or

ZAKHARY PALIASHVILI (1871-1933)
http://www.tcmc.ge/index1.html

I believe that Georgia is the outermost "bastion" of European culture, after that you enter a complet other culture.

.

I wonder how Tan Dun would feel about being a "recorded project"...
an interesting title, for sure!

[;)]

J.

@jbm said:

I wonder how Tan Dun would feel about being a "recorded project"...
an interesting title, for sure!

[;)]

J.

Was talking about the album:

Tan Dun, Bitter Love

don't know anything else, didn't even realized that it's the name of a composer, thought it's a band or single project.

.

yeah, I figured something like that... didn't he also do Crouching Tiger? or have I been smoking crack again...

J.

Yup - he did the scores for Crouching Tiger..., Hero and Fallen though he is first and foremost famous for his concert works, which include Heaven, Earth, Mankind (composed for the 1997 Hong Kong handover to Chinese rule), Water Concerto: For Water Percussion and Orchestra, and Out of Peking Opera.

Incidentally I only mention these works 'cos they're the ones I've seen him conduct at the BBC proms - I'm sure there are others!

Martin

@Another User said:

There are no composers like that today because you didn't name any.

Not like that, but like those. The following website gives you a tiny insight of what happen in the States alone, not even mentioning what's happen in Europe, where there is a symphony orchestra in every other village.

Art Of The States

http://artofthestates.org/index.html

Once you heard half of the music listed here, you will be proud to be american in a noble way, hee-hee.

.

.

Angelo

The web sight you listed is just a web sight, after all.
Gershwin is not mentioned, neither is Richard rogers. So one cannot take any web sight that serious after all.

The Coincidental music not repeating itself is interesting. I didn't look at it from that perspective before. But I do look at it from an educational standpoint. And if The fab four (Bach,Mozart,beethoven,chopin) all had music teachers for parents then it would be coincidental I suppose. And if, all the fab four had spiritual realm in the mix, it would be coincidental i suppose. and if, all the fab four had early years of training, then that would be coincidental i suppose. But at this point its not coincidental if there is a pattern within the fab four, wouldn't it ? ?. And if there is a pattern to creating a fab. Then its just scientific from here on, with the excception of the influence predicated by revelations that an adult must guide through. There is a young composer named J.Greenfield ( 14 years old) who used to live just miles from where i live. Its said that he is the first since the fab's (in 300 years) that have written 4 symphony's already. He's in julliard presently. Maybe with all the data of information collected by the computer today, we see for the first time a new revelation. We didn't beleive in vampires just the other day. But with computer and satelite data collecting today, we see the new species of the chupacabra as of a real excisting vampire. The same goes toward big foot. Its just now been exposed living in all the states in the US. I've heard old timers mentioning they have hit one with their truck years past, just down the road from where i live, but one couldn't take then seriously until now. Also we have been through some ferocious world wars. And now its dwindled down to almost un-maned military. Which is around the corner. So maybe we are looking to a new generation of an informed civilised society in the midst of the opposite. Diversed society coexcisting among each other. For music to think that the past russian composers wern't allowed to compose western music, to me is saying , do not use the diminished without the 7th. That makes that much difference in the sound. Jazz is another example. I'm looking at music from that perspective. Its scientific as well as artistic within the education.

Its good to hear that europe has orchestra's within its country side.

You should be proud to live among such civilized nobility. Its a little easier for a smaller area to civil. The big come with both and alot of luggage. So there is good and bad in everything. Informed Civilised society coexcist among its opposit.

Respectfully
Best Regards

R.K. I agree completely with what you say, except the fab four.

They are Bach, Beethoven, Bruckner and Bill.

Bingo !

Robert...

of course it is only a website. The thing i wanted to show is that there are plenty of living composers, possibly thousands worldwide, who write for symphonic orchestra, smaller ensemble, and solo instruments, operas, ballets. New music in the tradition of european earnest music is performed and available on recordings; professional symphonic orchestras and smaller ensembles perform daily new music.

BTW, my american FAB FOUR:
Silvestre Revueltas, Heitor Villa-Lobos, John Cage, Leo Brouwer, Joaquin Nin-Culmell, George Gershwin, Duke Ellington, Samuel Barber, Aaron Copeland, Carlos Chavez, Manuel Ponce, Gabriela Ortiz, Tania Leon, Agustin Lara, Alberto Ginastera, Ferde Grofe..............

All music was once new!

Thank you Angelo !
You've inspired me to dig deeper. Write more interesting complex music. Work harder.


Best Regards