Hello,
I have the Pro Edition, The Chamber Strings, Solo Strings and Saxophones 1. All of these have performance tool sets. I just installed the solo strings and noticed that automatically a folder was created with 'solo strings tool templates'. Inside that folder I find three subfolders alternation, legato and repetition. In chamber strings this 'tool templates' folder was not there, here every group of instruments has its own subfolders.
In the pro-edition there is a seperate folder VSL Performance tool with subfolders 'legato sets' alternation sets, and repetition sets.
The pro-edition was installed for me, so I do not know if these folders were automatically created. I find this stucture rather complicated, so I wonder if it is a good idea to put all legato PAL files together, and the same with the others. Question 2: if I do that, will I not get into trouble with Legato files and Horizon Legato files for instance?
Question 3: is Performance Tool set and Performance Tool template the same thing?
Greetings,
Gerard Beljon
I have the Pro Edition, The Chamber Strings, Solo Strings and Saxophones 1. All of these have performance tool sets. I just installed the solo strings and noticed that automatically a folder was created with 'solo strings tool templates'. Inside that folder I find three subfolders alternation, legato and repetition. In chamber strings this 'tool templates' folder was not there, here every group of instruments has its own subfolders.
In the pro-edition there is a seperate folder VSL Performance tool with subfolders 'legato sets' alternation sets, and repetition sets.
The pro-edition was installed for me, so I do not know if these folders were automatically created. I find this stucture rather complicated, so I wonder if it is a good idea to put all legato PAL files together, and the same with the others. Question 2: if I do that, will I not get into trouble with Legato files and Horizon Legato files for instance?
Question 3: is Performance Tool set and Performance Tool template the same thing?
Greetings,
Gerard Beljon