Hello fellow VSL users,
I'm composing an hour of all original media music to be performed by a live ensemble for my senior recital concert at Cal State Northridge. (it will be sometime in spring 06, and if your interested pm me) In the mean time I'm composing the works with samples, to which I am currently using VSL Opus 1. I absolutely LOVE this library and its functionality in Logic with EXS, but I am a bit disappointed in the brass sounds, particularly the lack of mutes. Thus I'm looking for a nice brass lib complement for OPUS 1.
The logical choice would be the new OPUS 2 library, which does contain new brass mutes and articulations. However, it also contains samples I doubt I will use often: string runs, staccato reps, performance legato for low winds, timpani glissandi, etc, so why spend $500 for instruments I will not frequently use? Especially when most stand-alone brass libs like Project Sam and Sonic Implants are roughly the same price? (I qualify for SI's student discounts). However this is still an option, though and I would love to hear some feedback from "old" OPUS 1 users who have taken the plunge. Are you happy with this new library? Is it worth the price overall? Is it a good companion to the OPUS 1 lib (I know they are designed to be, but I'd like to know if it succeeded.) What brass mutes are available in Opus 2 (straight and cup?)
Also, on a somewhat related thought, I'm also writing a piece for Percussion Ensemble and Wind Ensemble, to which OPUS 1 does not have the best variety of percussion sounds. Could you recommend a good, but cheep percussion library? I'm looking into VSL Mallets, which seems to be very extensive and priced well at around $300, but fear it might be overkill. Is there anything similar which is not limited to just Mallets? (I would like some more bell, gong, cymbal sounds too, though the real lack in OPUS 1 is mallets) Is the percussion additions in OPUS 2 sufficient?
Sorry for the long post, but this is a very important decision I have to make rather quickly, and I want to get the most information possible. I thank you all in advance for your help! I truly do appreciate it, and as payment for your help, I will treat you to a wonderful FREE concert at CSUN next year!
Thanks again,
Jonathan Timpe
I'm composing an hour of all original media music to be performed by a live ensemble for my senior recital concert at Cal State Northridge. (it will be sometime in spring 06, and if your interested pm me) In the mean time I'm composing the works with samples, to which I am currently using VSL Opus 1. I absolutely LOVE this library and its functionality in Logic with EXS, but I am a bit disappointed in the brass sounds, particularly the lack of mutes. Thus I'm looking for a nice brass lib complement for OPUS 1.
The logical choice would be the new OPUS 2 library, which does contain new brass mutes and articulations. However, it also contains samples I doubt I will use often: string runs, staccato reps, performance legato for low winds, timpani glissandi, etc, so why spend $500 for instruments I will not frequently use? Especially when most stand-alone brass libs like Project Sam and Sonic Implants are roughly the same price? (I qualify for SI's student discounts). However this is still an option, though and I would love to hear some feedback from "old" OPUS 1 users who have taken the plunge. Are you happy with this new library? Is it worth the price overall? Is it a good companion to the OPUS 1 lib (I know they are designed to be, but I'd like to know if it succeeded.) What brass mutes are available in Opus 2 (straight and cup?)
Also, on a somewhat related thought, I'm also writing a piece for Percussion Ensemble and Wind Ensemble, to which OPUS 1 does not have the best variety of percussion sounds. Could you recommend a good, but cheep percussion library? I'm looking into VSL Mallets, which seems to be very extensive and priced well at around $300, but fear it might be overkill. Is there anything similar which is not limited to just Mallets? (I would like some more bell, gong, cymbal sounds too, though the real lack in OPUS 1 is mallets) Is the percussion additions in OPUS 2 sufficient?
Sorry for the long post, but this is a very important decision I have to make rather quickly, and I want to get the most information possible. I thank you all in advance for your help! I truly do appreciate it, and as payment for your help, I will treat you to a wonderful FREE concert at CSUN next year!
Thanks again,
Jonathan Timpe