neat-o.
Thanks, Banquo.
Thanks, Banquo.
183,557 users have contributed to 42,308 threads and 255,100 posts.
In the past 24 hours, we have 5 new thread(s), 11 new post(s) and 57 new user(s).
@michi said:
we recorded the full range, you are talking about the flageolett sounds. as herb and martin mentioned, whatever we are recording right now, will be part of the next release. there are additional recordings for tenor and alto, but we are not going to share our articulation lists to the public, before the product is finished. i hope this points are clear now, all the best, michael hula
@saxophone4 said:
Cool, that would be full range low Bb to high F#. I wonder why aeroevans thinks the range is limited...must be trying to mock-up jazz things with screamers in the altissimo.
I gotta admit, I just can't get used to you calling the altissimo "flageolett"...it just seems too proper. I'm sure its probably what they call it in many places outside of the US and France, but its so wierd to have someone refer to a technique on your professional instrument that you've never heard referred to that way. I've been a professional saxophonist for over 10 years, and I have my Bachelor's and Master's in Music...I've played with saxophonists from all over the world, never Vienna to be honest...mostly UK, Japan, and France, but never have I heard "flageolett" for the extended range. Even a Noweigan guy that sent me a list of extended range fingerings for the baritone sax called them altissimo. We think of other playing techniques when we think of harmonics...multi-phonics are produced in a completely different way then brass...harmonics. Vocalizing against a vibrating reed doesn't work...well it does if you want to growl or scream.
Anyway...just thought I'd share my mental issues.