Not a big fan of ensemble libraries in general, but this one is a great sketching library with a very good quality sound. The audio demos sound extremely good and "polished" (in a positive way).
The new lyrical legatos are beautiful. Are these really new recordings? Curious to me they sound like the VI Flute, Clarinet, Oboe and Trumpet in C. No big difference to me in terms of expression and playability, it's just a "wet" recording in a bigger room. On the other hand, it shows and proves the VI recordings have been top-notch since then.
I want to know some more information on the mixes. They continue the way it was introduced with Duality Strings. This is no critique, I much prefer the new mixes. Only the compressors do more harm than good in my opinion. I disable them all. And I also don't understand why the room mixes get panned. But hey? If it sounds good, it is good, right? But I also get rid of all these pannings. I want a natural sound as recorded. In several threads here and at VI-control I was talking about the close/mid microphones and I never understood why these were narrowed (powerpanned). So my thinking was right all the time? What is the reason behind this new mixing approach? The close microphones are not narrowed (powerpanned), but balance panned.
I also like the new mixer preset structure. Instead of hundred different ones, only three. I was never happy with the current ones in the Synchron libraries, because all have different settings, even across the same instrument family. What I would like to see in the future is one "classical" preset with unified settings for the tree and the room mics. And without any processing or more additional panning as needed.