@Dietz said:

Under certain circumstances it might be advisable to use a panning device _before_ the signal enters MIR, either to re-center a pre-panned source, or to create a virtual ensemble (like Alan explains by means of the violin overdubs).

Hi Dietz,

Am I understand this correctly in the way MIR takes over the panning duty? If Alan Meyerson kept the panning default on each of the violin tracks he had and put a MIR insert on each track instead of the group you could achieve the similar result by tweaking each of the individual objects that would be represented on the MIR stage?

And a 2nd question. Is the choice between using MIR insert on each virtual instrument vs an instrument group come down to what sound you're trying to achieve and the sound sources your feeding into MIR?

Like I wrote above: Yes, MIR is meant to take over all panning tasks, in stereo, surround, whatever. Positioning is mainly about panning and distance, and this is where MIR excels. Like I wrote an hour ago in another forum: 50% of MIR is having an instrument interact with the room _specifically_, dependent on its position and the way it emanates sound into all three dimensions. (... the other half would be the way the virtual microphone(s) capture this interaction.)

Vienna Instrument's Dimension Series are a good example: Of course it's possible to use one single, wide "Icon" (i.e. one instance) of MIR Pro for the whole section eight violin players. But as soon as you assign a single instance to each of them and spread them across a meaningful area of the stage, there will be an almost magical kind of increased "glue" between the eight players that's hard to achieve otherwise.

The answer to your second question is a simple "yes", but I should add that for MIR Pro 24-users grouping is a plausible way to deal with the restrictions of 24 instances. ;-)

HTH,

Excellent video, nice to see both Dietz and Martin on video...

Love the "role" feature idea you hinted about Dietz.  Looking forward to hearing more...

You have a good ear! :-D

Of all the important things in that video, this was the most important to me that I picked up on as well :).  Can't wait to see how that works giving each instrument it's own personal relationship with a microphone!

Thank you for the reply. I really do appreciate your willingness to keep sharing how this all works even though newbies like me probably ask you the same question(s) over and over.

@cgernaey said:

Of all the important things in that video, this was the most important to me that I picked up on as well 😊.  Can't wait to see how that works giving each instrument it's own personal relationship with a microphone!

We don't know yet in every detail how all the loose parts will fit together in the end, but the basic idea is to give the user the possibility to create his/her "customised MIRx" for any Venue, so to speak. I coined the provisional term "Roles" for this concept. A trivial example: The same sample set can have the "Role" of Vi1 or Vi2. The positioning parameters will vary in different Venues, but due to the "Role" assigned by the user the Icon will find its related positions (again pre-defined by the user) when switching Venues or Venue presets.

... but I'm talking about things at a much too early stage right now. Please keep in mind that this is work-in-progress which I won't discuss further ATM. Thanks for your patience!

The video was very good and informative. Thank you! And we could see and hear Dietz in person. I only "knew" him from the MIR venue photos. :)

Actually, I don't understand that "role" feature, but I'm really looking forward to an updated MIR Pro and that we would be able to make our own MIRx settings.

I really like the MIRx Synchron settings. Very well done, Dietz! But somehow I would be very interested how an Alan Meyerson "Hollywood" MIRx would sound like. I guess not that much of a difference, but who knows. Different engineer, different taste, different ears. And Alan said he works longer at his home studio, trying out things and that he don't need to be paid ... so when can we expect his MIRx settings? ;P Or maybe a tutorial?

Thanks for our friendly words! Highly appreciated.

@Pixelpoet1985 said:

[...] But somehow I would be very interested how an Alan Meyerson "Hollywood" MIRx would sound like. I guess not that much of a difference, but who knows. Different engineer, different taste, different ears. And Alan said he works longer at his home studio, trying out things and that he don't need to be paid ... so when can we expect his MIRx settings? ;P Or maybe a tutorial?

😄 ... yesyesyes, brilliant idea! We'll ask Alan to do six weeks of mining work for free! Sounds like a plan.

@Pixelpoet1985 said:

[...] But somehow I would be very interested how an Alan Meyerson "Hollywood" MIRx would sound like. I guess not that much of a difference, but who knows. Different engineer, different taste, different ears. And Alan said he works longer at his home studio, trying out things and that he don't need to be paid ... so when can we expect his MIRx settings? ;P Or maybe a tutorial?

😄 ... yesyesyes, brilliant idea! We'll ask Alan to do six weeks of mining work for free! Sounds like a plan.

Haha... but, wait, I forgot that "he actually has no technical skills" and "knows nothing". 😄