Pro Tools. [:)]
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I would use my kitchen tools, my mouth, my body, some microphones, a portable DAT and maybe some library recordings. [[;)]]
Sorry, did this job for five years and became a bit oldfashioned about all these inquiries about technology. That´s in fact the least interesting part of the job, I worked on at least four different platforms and it doesn´t really make a difference what you use. Use whatever you have.
OK, and now a bit more trendy: For this kind of work Protools is indeed the standard platform. And since this job is a lot about transfering work from one person to another this is of relevance. Concerning the audio quality and features I never would choose Protools and I never bought it for my own studio.
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Sorry, I have to jump in here with my private opinion:
There IS a more than serious alternative to ProT**ls since quite some time: Nuendo
-> www.nuendo.com
It does already everything PT does (will do even better in the upcoming Vers. 3), plus an unbelievable lot of very usefull and/or advanced features, like perfect MIDI, complete scoring, built-in standardized file-exchange, no track-limit and so on. It comes with an healthy amount of plug-ins (both FX and Synths) and is VST- and ReWire compatible. - PLUS: it costs only a fraction of PT and runs on native PC and Mac-hardware using the omni-present ASIO-protocol.
After 20 years in music- and 15 years in post-production (the latter on Nuendo since its first release in 2000) I can assure you that it is the most complete, more up-to-date and more intuitive platform. And yes, I do many productions on PT (and Logic and Sequoia and analogue and and and ...) too, simply because i have to, so i know what I'm talking about :-]
/Dietz
/Dietz - Vienna Symphonic Library -
Dietz, have you ever done SFX in Nuendo?
I'm not voicing an opinion for or against Nuendo, since I've never used it (other than poking around the Mac v.1 I have here).
I tried doing SFX in Logic one time and realized very quickly that it wasn't going to happen. Yet I use Logic for composition all the time. As you undoubtedly know, music production and SFX are very different - even though you can "do" everything Pro Tools does in Logic.
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Much as I hate to agree with anyone, EVER, I have to say that Nuendo is great. I find myself laughing quietly when I see some of the shortcomings of the opposition. I have used PT a lot, and would agree that in many of the large studios (in the UK) it is a standard, but (thanks to Dietz) I have had no problems in transfering sessions to and from PT. It can be used for both music production and post production.
DG
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@mathis said:
I would use my kitchen tools, my mouth, my body, some microphones, a portable DAT and maybe some library recordings. [[;)]]
Sorry, did this job for five years and became a bit oldfashioned about all these inquiries about technology. That´s in fact the least interesting part of the job, I worked on at least four different platforms and it doesn´t really make a difference what you use. Use whatever you have.
OK, and now a bit more trendy: For this kind of work Protools is indeed the standard platform. And since this job is a lot about transfering work from one person to another this is of relevance. Concerning the audio quality and features I never would choose Protools and I never bought it for my own studio.
Thanks for all the help guys, I'll have a look at both of these programs.
Mathis, [[:D]] well, the problem I have at the moment is that I have to do all my sound effects work in pro audio 9 and gigastudio, which is far more suited to music than sfx. I'll be going out and recording kitchen utensils and the like of course! [[:D]] thats the half the fun, the second half comes from putting it alltogether and giving extra life to the drawings of aliens, spaceships etc.
So basically... i can load up a video in nuendo and manipulate and place all my sound effects and sync them up to the video file? (does it have good wave editing tools?)
Thanks again,
James
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You can most easily work to picture within Nuendo - actually that's what it was originally made for. Its Wave-Editor is quite powerfull, but you won't need it as almost everything can be done on the Project-level, down to an accuracy of a single sample. Two different Edit-modes allow a scrubbing of audio-to-picture, or "ordinary" audio scrubbing, for example. ... Too many great solutions to tell here (hey, I don't get paid for that! [;)] ...)
To Mathis - Transfer to and from ProT**ls is a problem - but only as far as PT itself is concerned [H] ... Nuendo reads and writes OMF1, OMF2, OpenTL, AES-31, And I think even AAF in the meantime. With additional translation-software you can actually even import PT-sessions directly.
To Nick - Don't think of Nuendo as "the other Logic". It's in fact the better ProT**ls. (Uh - this was not the question ... yes, I did SFX and more with Nuendo, about hundred large and small projects within the last five years. [URL=http://www.ksmusic.at/ks/orf_surr1_e.asp]This older one[/URL] is even documented online.)
/Dietz
/Dietz - Vienna Symphonic Library -
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So my advice: If you stay completely inside your workstation and have no transfer of EDLs then Nintendo is certainly well suited. But if you have to deliver and recieve sessions, triple-check every worst case scenario.
I know, Dietz, it´s never the the fault of the other side, it IS Avid which is constantly changing their OMF and is protective about the changes. And even company-internal from Avid to Protool$ there is always some stupid hassle.
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Sydec Soundscape
(www.sydec.be)
easy, powerful, low cost, vst compatible and more ...
You must check this ... I made a comparison with a Protools ... I think you know my choice [:P] .
Sydec is, for me, a VSL-like company : very friendly with a very good service ... for a great product.
Thanks
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While you are perfectly right with the other things you mentioned ;-] I think you got the acquisition-thing the wrong way - Steinberg was bought by Pinnacle, not Yamaha (at least that was the last thing I know ...)
All the best,
/Dietz - Vienna Symphonic Library
/Dietz - Vienna Symphonic Library -
@Dietz said:
While you are perfectly right with the other things you mentioned ;-] I think you got the acquisition-thing the wrong way - Steinberg was bought by Pinnacle, not Yamaha (at least that was the last thing I know ...)
All the best,
/Dietz - Vienna Symphonic Library
Ooooooooooo, you haven't been to the Nuendo forum today then [8-)]
DG