Vienna Imperial has been my trusty sidekick for many years as my practice instrument. I felt almost guilty when I installed Yamah CFX, which I love BTW. Still it’s a great pleasure to open Vienna Imperial again and just play. I think I’ll always use it, and it still amazes me, especially since it’s nearly a decade old. What is really surprising is that nobody else seems to realise the advantage for pianists of the huge number of velocity layers, so the only viable competition is Synchron Pianos. I can get all sorts of tone colours that I just can’t get on pianos with 20 velocity layers. So Vienna Imperial, I think we still have a future together.
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I’ll never forsake you Vienna Imperial.... 😀
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I am quite sure you will get sooner or later your Synchron Version of exactly this Vienna Imperial. Keep in Mind that the Player of the CFX is called the "Synchron-Pianos Player" and if you know which Pianos are currently present at the Synchronstage, you know which other pianos are most probable to become Synchron-Pianos in future 😉.
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I am quite sure you will get sooner or later your Synchron Version of exactly this Vienna Imperial. Keep in Mind that the Player of the CFX is called the "Synchron-Pianos Player" and if you know which [url=https://www.youtube.com/watch?v=T2GYYV8JSqM]Pianos are currently present [/url]at the Synchronstage, you know which other pianos are most probable to become Synchron-Pianos in future .
Indeed. I’ve seen the YouTube video comparing the three pianos in the Synchron studio. I wouldn’t feel as promiscuous using a Synchron version of the same piano. 😀