Really, just to drive the point home: would you buy any library by any developer without demos of the sounds? Why then is it so offensive to ask for evidence of your own musical output to determine the value of your opinion, even if the individual assessing that value is doing so purely in a subjective way?
You're gonna have to scroll up a bit and have a read, it's perfectly laid out in my post.
Your comparisons miss a very important point: I'm not trying to sell anything to anyone. I don't have to "prove my credentials" to talk perspective on multi-mic recorded libraries and general tech. If we were arguing composition or whatever, that would be a different matter. But right here, right now: it's a disingenuous and anti-intellectual position and deserves to be shot down with every bit of sincerity and directness.
Go back to the post that provoked the contention in the first place. Go and read it. It was about amounts of reverb tail, timbre and available mic positions. That's a topic of tangible substance. You're telling me I first need to present my own symphony to be "allowed" to offer to you the notion that Synchron Strings actually has a balanced sound that isn't particulary colored at all? Seriously?
People have heard my work. Some of them have heard it in theatres. It just so happens that William hasn't. Is that important? I'm old enough to recognize when the principle debates come up and I know they always do when there's BS and ulterior motives involved.
Needless to say, I'd be way more happy to talk Synchron Strings instead.