If I've counted correctly, there are 5 violins per section: 4 dimensions and 1 solo violin. Uneven numbers tend to be preferred in chamber music. That sounds fine to me, 5 is an excellent number. The recording doesn't lie about it. It sounds great.
As you know, I'm fond of a direct sounds with minimal reverb tails. Teldex has always been my favourite venue and still is, although its reverb lenght is rather long (2.4 sec?) I usually shorten it to 1.8 sec and with a MIRacle final wet reverb of -9 dB (dry = 0 dB) and length max. 2 sec. These are only my preferences for small ensembles in a chamber-like environment (which Teldex isn't actually). So there has to be some reduction.
When we recorded with my chamber orchestra in Steurbout Sound Studio (comparible with Teldex in volume and construction), they put sound screens around the ensemble to reduce the direct reverb and high mikes to keep the overall ambience. Result: detailed rather dry sound with a nice subtle tail. That's what I've always been after.
But again: your settings don't disturb at all. If you like the recording, then it must be that way. Everything stays clear, transparent and detailed. Nothing vanishes into a thich cloud of reverb, no muddiness, no masking. Can we expect anything more?
Jos